Immigration Studies
Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.
“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.
Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles
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ABOUT DIRECTOR CHRISTIAN LARA
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Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.
"Ludi," directed by Edson Jean, is a compelling exploration of the Haitian immigrant experience set in the vibrant community of Little Haiti in Miami. The film follows the resilient protagonist, Ludi, portrayed by the talented Shein Mompremier, as she grapples with the challenges of forging a new life in America. In the pursuit of the elusive American dream, Ludi confronts the harsh realities of the immigrant experience.
Edson Jean's directorial finesse captures the nuances of cultural identity, economic struggle, and the indomitable spirit that propels individuals to persevere against adversity. The film not only sheds light on the immigrant narrative but also serves as a poignant reflection on the strength and resilience of those who dare to seek a better life in a new land. "Ludi" stands as a significant contribution to the cinematic exploration of diasporic experiences within the Afro-Caribbean context.
Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles
"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist
"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat
"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider
OTOMO
A powerful film portraying institutionalized racism and police brutality, Otomo provides a convincing look at the everyday world of refugees, who are continuously surrounded by tension and insecurity.
In the summer of 1989, a Stuttgart newspaper reported the true story of a West African asylum seeker who physically assaulted an intolerant subway ticket-taker; fled, and became the target of a city-wide manhunt. Otomo is a sober, fictionalized reconstruction of a tale that shocked Stuttgart, and a gripping portrait of how institutionalized racism drives a disempowered individual to violence and inhumanity.
West African immigrant Frederic Otomo (Isaach de Bankole) lacks the proper papers to be hired for the most menial of jobs; he has survived for eight years with the help of a Catholic charity. Otomo is the target of verbal abuse, is thrown out of his boarding house, and even scorned by neighborhood dogs. He feels and looks out of place. A stoic bubbling pot of wrath on the run, de Bankole's performance establishes Otomo's essence without words-language cannot express the gravity of his situation. As a ticking soundtrack counts down his fated minutes, Otomo is helped by a kind, aging hippie and her granddaughter, establishing the potential for an inclusive German society….if it is not too late...
|Germany|1999|84 mins|drama|German with English subtitles|Frieder Schlaich, dir.|
"I was impressed by the decision to make Otomo a bit of an anti-hero, seeming aware that in desperate times, good people may say or do things outside the norm." -- Greg Dean Schmitz, Greg's previews at Yahoo!Movies
"Documents the institutionalized racism and xenophobia that painted one man into a corner, while never excusing the terrible means by which he took his final escape." -- Jessica Winter, Village Voice
"Much of the sense of size in this account of an immigrant worker, who is only one among many thousands in Germany, comes from the performance by Isaach de Bankole." -- Stanley Kauffmann, New Republic
WAALO FENDO: WHERE THE EARTH FREEZES
Senegal / Switzerland, 1998, 65 mins, drama in Wolof and Italian with English subtitles, Mohammed Soudani, dir.
Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy. It is a story of immigration like so many others but that most people are unaware of. Waalo Fendo illustrates the dehumanization faced by so many immigrants all over the world.
As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.
As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.
22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.
As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.
It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.
By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.
“It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety
“In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF
“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety
“The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa
“One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict
ABOUT THE MAKING OF THE FILM
“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.” ~ Alisa Simon, Variety
WATCH AS FAR AS I CAN WALK IN THEATRES
| THEATRE | CITY/STATE | OPENS |
| IFC Center | New York, NY | June 30, 2023 |
Two African Griots connect Africa and the World: Youssou N’Dour in Return to Gorée by Pierre-Yves Borgeaud, Sotigui Kouyaté in Names Live Nowhere by Dominique Loreau. DVD also includes Youssou N’Dour’s live concert performance on Gorée Island.
RETURN TO GOREE Film and Concert
RETURN TO GOREE follows Senegalese singer Youssou N'Dour's historical journey tracing the trail left by enslaved Africans and the jazz music they invented. Youssou N'Dour's challenge is to bring back to Africa a jazz repertoire of his own songs to perform a concert in Goree, the island that today symbolizes the slave trade and stands to honor its victims. With Youssou N'Dour, Moncef Genoud, Joseph Ndiaye, Idris Muhammad, and Amiri Baraka among others.
DVD includes filmed final concert on the Goree Island.
RETURN TO GOREE / CONCERT, Pierre Yves Borgeaud, Senegal/Switzerland/
Luxembourg, 2006, 108 min. / 52min. In English and French with English subtitles.
NAMES LIVE NOWHERE
NAMES LIVE NOWHERE (Les Noms N'Habitent Nulle Part) - whose title is a Senegalese proverb - a griot (story teller) traveling from Dakar to Brussels weaves a tale about African expatriates and offers a candid look at the life of African immigrants in Belgium. With Sotigui Kouyate - a real life griot - as the story teller.
NAMES LIVE NOWHERE, Dominique Loreau, Belgium, 1994 , 76min. In French with English subtitles.
NAMES
LIVE NOWHERE
Director: Dominique Loreau
From: Belgium
Year: 1994 Minutes: 76
Language: French with English subtitles
Genre: docu-drama
In this film whose title is a Senegalese proverb, a griot (story teller) traveling from Dakar to Brussels weaves a tale about African expatriates and offers a candid look at the life of African immigrants in Belgium. With Sotigui Kouyate - a real life griot - as the story teller.
16mm rental: $250
DVD sale: $195
