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On March 13, 1992, Vicente Francisco do Espirito Santo, a Black Brazilian who worked in a government-owned electricity company, was fired from his job.  It did not take long for him to realize that his dismissal was directly linked to his skin color.  Encouraged by his union and a strong Black empowerment movement, he began a judicial process which he won, and as a result was reinstated in his former position.  This informative documentary about an unknown victory illustrates how the courts of Brazil did recognize the company's prejudice and racism in a country where such realities are usually dismissed as atypical. 

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This latest documentary by the Dean of Afro-Cuban Cinema Sergio Giral investigates the black Cuban exile community in South Florida, since the first wave of political refugees in the 1959 revolutionary aftermath, to today. It tracks its presence throughout the region, and highlights its contribution to Miami's civic culture through testimonies and visual documentation.

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Brother Howie is a Jamaican Rastifari who dreams of the land of his ancestors: Africa. On a journey in search of his roots and his identity he travels through three continents and - with great humor and sensitivity - discovers the world...and Africa.

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Portrait of the impressive life and work of internationally renowned gynecologist Dr. Denis Mukwege from the Democratic Republic of Congo. He received the 2014 prestigious Sakharov Prize for Freedom of Thought and the Nobel Peace Prize in 2018 for his struggle against sexual violence. Mukwege medically assisted over 40,000 sexually abused women in sixteen years of professional practice.

Sexual violence against women has been used as a weapon of war for years in the violence-ridden and poverty-stricken Democratic Republic of Congo. In order to provide medical, psychological and emotional aid to the victims, Dr. Mukwege founded the Panzi hospital in Bukavu in 1999. Besides his work as a physician Dr. Mukwege also defends human rights and seeks to raise global awareness on the issue of sexual violence in his country. He condemns the political reluctance to tackle the problem and is not afraid to hit the nail on the head.

His work is not without danger, as Dr. Mukwege experienced in 2012, when armed men entered his home and started shooting. Mukwege and his family survived the attack, but his guard was killed. The doctor now lives cloistered in his hospital in Bukavu under the protection of the United Nation peacekeepers. The women, whose physical and emotional integrity and dignity have been restored, stand beside him, true activists for peace, and hungry for justice.

The Man Who Mends Women - The Wrath of Hippocrates was awarded on the 8th of February 2016 the Best Documentary Magritte given once a year by  the  Académie  André Delvaux to the Best Feature Length Belgium Francophone Documentary of the year. 

It also received on January 29, 2016  the HUMANUM AWARD by the Belgium Film  Critic Union (Union de la Presse Cinématographique Belge - UPCB) for its advocacy in  favor of harmonious living among different peoples.

Other awards include:
* Best Documentary Special Jury Award at the 2016 Pan African Film Festival, in Los Angeles (USA);
* Special Mention at the Festival Internacional De Cine Documental De La Ciudad de Mexico 2015 (Mexico);
* The Public Award at the Algiers International Film Festival 2015 (Algeria);
* The Golden Butterfly - A Matter of Act award at the Movies That Matter Festival 2015 (The Netherlands)

The film has received so far 5 Human Rights Awards, 3 Audience Awards, and 4 Grand Prizes for Best Documentary in festivals worldwide!

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In Moussa Toure’s powerful epic fiction film, a group of 30 men sail to Europe in a pirogue, facing the sea - and the possibility of never reaching their destination - in exchange for the myth of a better life in Europe.

Baye Laye is the captain of a fishing pirogue. Like many of his Senegalese compatriots, he sometimes dreams of new horizons, where he can earn a better living for his family. When he is offered to lead one of the many pirogues that head towards Europe via the Canary Island, he reluctantly accepts the job, knowing full-well the dangers that lie ahead. Leading a group of 30 men who don't all speak the same language, some of whom have never seen the sea, Baye Laye will confront many perils in order to reach the distant coasts of Europe.

"Senegal, a West African nation on the Atlantic Ocean, was home to Africa’s greatest movie-maker, Ousmane Sembene. Today, Moussa Toure follows in the master’s footsteps with this drama of 30 men (and one woman, a stowaway) who set out on an illegal 7-day voyage to Spain - making the perilous trip in a pirogue - a boat resembling a vastly oversized dinghy. While sharing a common desire to build a better future, these men hail from different ethnic and religious backgrounds. The story grows from a finely delineated mosaic of personalities - reactions to the journey’s mounting danger - that span the emotional panoply of human experience. Toure’s compelling tale says as much about the universal nature of courage and perfidy as it does about the economic realities faced by so many of the world’s people. THE PIROGUE was featured in Cannes 2012, in the Un Certain Regard section." ~ Film Forum.

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Jimmy Jean-Louis -- featured among the cast of the television phenomenon “Heroes,”  -- stars as musician extraordinaire in denial, President, in this Haitian comedy-drama about the HIV/AIDS epidemic. Dao is the biggest movie star in Haiti, the self-proclaimed "President of Compas." He has women falling at his feet and men emulating him. He feels invincible-living the life of a rock star--sex, drugs and alcohol--except that he can no longer hide his illness which is threatening to derail his career. Despite pressure from his manager, he refuses to get tested for AIDS, turning instead to rituals, spells, and the church. At one of his concerts, he rescues Nina from the leery advances of Larieux, a wealthy and powerful businessman, who Nina's mother wants her to marry. As romance blossoms between Dao and Nina, who likes Dao despite his fame, not because of it, Larieux plots his revenge. Also starring Riccardo Lefeuvre and Jessica Geneus. 

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In a voice-over, we hear the thoughts of Amy, a girl from a rural area of Senegal who works as a domestic for a well-to-do family in Dakar. She complains about her employer, who continuously criticizes her and gets on her case, and she talks about her dream of one day opening her own eatery. Meanwhile, we see her sweep the pavement, prepare the food and clean the house. The contrast with her vast and barren native region is enormous. In Dakar, some 150,000 young women work as housekeepers for families whose daughters can go to school. "Why does the emancipation of some result in the servitude of others?" Amy wonders. The filmmakers interview other young maids who dream of going to school, and they film a woman who shouts her furious lyrics straight into the camera in rapper-like fashion: "I keep your houses squeaky clean, but you all think I'm dirty!" In a dramatized scene in a slum, the women demonstrate how they'd like to deal with a woman who doesn't pay her housekeeper enough. In response to the situation, the filmmakers make an appeal to change the rules of the world economy.

Written, directed and produced by award-winning auteur filmmaker Rolf de Heer (Dingo, Bad Boy Bubby, The Tracker)

The Survival of Kindness

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The year is 1922 and The Tracker (David Gulpilil, Walkabout, Rabbit-Proof Fence) has the job of pursuing The Fugitive - an aborigine who is suspected of murdering a white woman - as he leads three mounted policemen: The Fanatic, The Follower and also The Veteran across the outback.

The Tracker, a mysterious and enigmatic figure whose true character remains unknown, assists them in their quest. As they move deeper into the bush and further away from civilization, the toxic forces of paranoia and violence begin to escalate, stirring up questions of what is black and what is white and who is leading whom. Their journey becomes an acrimonious and murderous trek that shifts power from one man to another, challenged by the indigenous people they come across as well as each other.

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Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy. It is a story of immigration like so many others but that most people are unaware of. Waalo Fendo illustrates the dehumanization faced by so many immigrants all over the world.

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A Mexican-American girl struggles to keep her identity when her mother forces her to bleach her skin. White Like the Moon is a revealing film about a dilemma not very well known outside Latino communities; that of the myth of the light skin superiority in Indigenous and Indigenous descendant communities.

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A Mexican-American girl struggles to keep her identity when her mother forces her to bleach her skin. White Like the Moon is a revealing film about a dilemma not very well known outside Latino communities; that of the myth of the light skin superiority in Indigenous and Indigenous descendant communities.