STORIES OF POST-COLONIALISMis a double DVD that is a source of information, reflection, retrospective and critical thinking regarding the presence of foreign powers on the continent and what that entails for the general population as very well illustrated inTHE BIG BANANA. In the nation building process, governments have to face a multiplicity of tasks to build the countries' economic, educational, health, and justice systems, to name a few.CELL 512illustrates the challenges of building a democratic society in a new nation.
THE BIG BANANA
Banned in Cameroon,The Big Banana illustrates the poor working conditions in banana plantations and exposes the adverse impact on the people of a corporatocracy government that affords super profits for corporations at the expense of the local population.
The Big Bananaoutlines land grabbing tactics by company Plantation du Haut Penja (PHP) and the ensuing devastation for communities: poverty, pollution, and sickness from pesticides. Bieleu, who spent two years filming residents in the remote countryside of Cameroon also features local cooperatives resisting the devastation through business alliances with fair trade organizations.
By Franck Bieleu, Cameroon, 2011, 85min, Documentary in French with English subtitles.
CELL 512
A spoiled young man makes a bet with his friends: riding a motorbike at a brisk pace without brakes or lights for a week, without being worried. He will be hit by Honorine, a woman driving her car. She will end up in jail. Should corruption, rape and denial of justice be the lot of those without financial means to defend themselves?
By Missa Hebie, 2015, Burkina Faso, Drama, 99 min, French w/ English subtitles.
Stand Down Soldier, directed by Jeryl Prescott, is a compelling narrative that delves into the complex realities faced by African American women in the military. The film follows the journey of Sergeant Stacy Armstrong as she returns home from multiple deployments in Iraq and Afghanistan, battling the invisible wounds of Post-Traumatic Stress Disorder (PTSD). The film adeptly portrays the struggles of reintegrating into society, family life, and finding a sense of normalcy after the life-altering experiences of war and adds another layer to Sergeant Armstrong’s challenges by addressing the unique trauma associated with being a woman in the military. It explores the difficulties she faces in a predominantly male environment, including gender-based discrimination and the additional mental health stresses that arise from such experiences.
Stand Down Soldiernot only highlights the personal battles of Sergeant Armstrong but also sheds light on broader themes such as the mental health issues faced by women veterans, the lack of adequate support systems, and the specific experiences of African American soldiers. It is a poignant reflection on the sacrifices and unseen scars of war, emphasizing the need for greater understanding and support for veterans' mental health.
As Sergeant Armstrong struggles with the transition back to civilian life, the film portrays her battle against not only the trauma of combat but also the internal conflicts stemming from her experiences as a female soldier. These experiences include navigating a system that often lacks sufficient support for the specific needs of women veterans.
This film is particularly relevant for discussions in Africana and Women Studiesfor its exploration of intersecting themes of race, gender, and military service. It provides a unique perspective on the African American military experience, particularly focusing on the often-overlooked narratives of women veterans. This film is a poignant reminder of the need for greater awareness and support for all veterans, especially those facing compounded challenges due to their gender and race.
Writer, director, producer, and lead actress in Stand Down Soldier, Jeryl Prescott - an actress best known for her portrayal of Jacqui in The Walking Dead - started writing the award-winning script forStand Down Soldierafter conversations with female family members and friends from her home state of SC who served in Afghanistan and Iraq.
“It was both revelatory and refreshing to see that a film about a soldier’s return home from active duty in Iraq is focused on a woman.” ~ Highbrow Magazine Read Full ReviewHERE
DIRECTED BY JERYL PRESCOTT
U.S.A. / 2015 / ENGLISH / 82 MIN
DIRECTOR AND CAST
Director: Jeryl Prescott
Starring: Jeryl Prescott
Starring: Maria Russell
Starring: Harry Lennix
GENRES
Drama
DESIREÉ
Set in Brooklyn, New York this Dutch film is based on a true story that appeared on a New York newspaper in 1980.
Desirée lives in the past. A series of flashbacks expose us to her psychologically troubled childhood very much affected by a promiscous mother. Her present life evolves around three people: her employer Mrs. Resnick, Freddy, her lover and Father Siego, leader of the church "The True Confessors".
Desirée's relationship with each one of these characters is at the origin of her falling apart. Freddy is an insecure black man who finishes their love affair with a sad note, Father Siego is the leader of a rigid narrow-minded religious sect and Mrs Resnick is a racist, prejudiced white woman who feels black people are inferior and incapable of living their own live.
Rejected by all because of her pregnancy, Desirée blames her child as the source of evil. She is then possessed by evil and wants to exorcise it. The only way is to get rid of her daughter...
DIRECTED BYFELIX DE ROOY
NETHERLANDS AND USA / 1984 / ENGLISH SUBTITLES / 96 MIN
AUSTRALIA / 2002 / ENGLISH, WARLPIRI AND ANMATYERE WITH ENGLISH SUBTITLES / 98 MIN
SYNOPSIS
The year is 1922 and The Tracker (David Gulpilil, Walkabout, Rabbit-Proof Fence) has the job of pursuing The Fugitive - an aborigine who is suspected of murdering a white woman - as he leads three mounted policemen: The Fanatic, The Follower and also The Veteran across the outback.
The Tracker, a mysterious and enigmatic figure whose true character remains unknown, assists them in their quest. As they move deeper into the bush and further away from civilization, the toxic forces of paranoia and violence begin to escalate, stirring up questions of what is black and what is white and who is leading whom. Their journey becomes an acrimonious and murderous trek that shifts power from one man to another, challenged by the indigenous people they come across as well as each other.
DIRECTOR AND CAST
Director: Rolf de Heer
Starring: David Gulpilil
Starring: Gary Sweet
Starring: Damon Gameau
GENRES
Epic Drama
DVD also includes Bonus Documentary Gulpilil: One Red Blood
BONUS FILM
GULPILIL: ONE RED BLOOD
DIRECTED BYDARLENE JOHNSON
AUSTRALIA / 2003 / ENGLISH / 56 MIN
SYNOPSIS
Legendary Aboriginal actor and Australian icon David Gulpilil's life has been one of dueling lifestyles, with his jet-setting movie star life on a completely different plane from his life as an Aboriginal village elder, and director Darlene Johnson manages to capture intimate details from both lifestyles in her 2003 biographical documentary Gulpilil: One Red Blood. At the age of 17, Gulpilil made history as the first Aboriginal actor to appear on film -- in Nicolas Roeg's 1971 Walkabout -- which, in turn, led to an historic acting career that culminated in his receiving numerous awards and an Order of Australia medal. All the while, Gulpilil remained true to his culture by accepting his tribal responsibilities, which include living in a primitive house and procuring his household's daily food and water. As Johnson films a number of very candid encounters with the actor in both settings -- David lives in a tent shed and is quite open about the lack of facilities in his abode and the exploitation he’s experienced during his career -- she documents the class differences that still exist between the indigenous population of Australia versus the relatively new white population.
This two-DVD set featuring classic film "Ava & Gabriel: A Love Story" and contemporary drama "Papa's Song" serves as a window into the charming world of Curacao, part of the Dutch-owned Lesser Antilles in the Caribbean.
AVA & GABRIEL
Writer Norman DePalm offers two romantic dramas that bring to light the culture and character of the island. Set in Curacao in the 1940s, "Ava & Gabriel: A Love Story" (Felix de Rooy, 1990, 100 mins.) tells of the painter Gabriel Goedbloed, who arrives from Holland to paint a mural of the Virgin Mary in St. Anna's Church. Although Gabriel is there at the request of St. Anna's parish priest, the clergy and local citizens are surprised to find that he is black--originally from Surinam. The colonial Antillian society proves less than tolerant towards the visitor, especially after he chooses as his model a young teacher, Ava, who is engaged to a white police official. When the Dutch Governor's wife also becomes interested in Gabriel, tensions and hypocrisies rise within the community.
Directed by Felix de Rooy, Netherelands/France, 1990, Drama, Dutch andPapiamento with English subtitles
PAPA'S SONG
Addressing the complex and difficult state of race relations in the Netherlands, "Papa's Song" (Sander Francken, 1999, 95 mins.) is "an interesting drama of domestic tension and cross-cultural misunderstanding" (The New York Times).
The peaceful life of a Dutch magistrate, his wife from Curacao, and her two young nephews, turns suddenly volatile when the wife's sister arrives on the scene. The sisters' stormy relationship is complicated when the wife, unable to have children, tries to convince her husband to impregnate her sister.
In Dutch and Papiamento with English subtitles. Directed by Felix de Rooy/Sander Francken---Netherlands/Curacao---1990/1999---195 mins.
CONGO: WHITE KING, RED RUBBER, BLACK DEATH + BOMA TERVUREN, THE JOURNEY
Regular price
$245.00
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CONGO: WHITE KING, RED RUBBER, BLACK DEATH
DIRECTED BY PETER BATE
CONGO AND BELGIUM / 2003 / ENGLISH / 90 MIN
SYNOPSIS
This true, astonishing story of what King Leopold II did in the Congo was forgotten for over 50 years. “ Congo:White King, Red Rubber, Black Death” describes how King Leopold II of Belgium turned Congo into its private colony between 1885 and 1908. Under his control, Congo became a gulag labor camp of shocking brutality. Leopold posed as the protector of Africans fleeing Arab slave-traders but, in reality, he carved out an empire based on terror to harvest rubber. Families were held as hostages, starving to death if the men failed to produce enough wild rubber. Children's hands were chopped off as punishment for late deliveries. The Belgian government has denounced this documentary as a "tendentious diatribe" for depicting King Leopold II as the moral forebear of Adolf Hitler, responsible for the death of 10 million people in his rapacious exploitation of the Congo. Yet, it is agreed today that the first Human Rights movement was spurred by what happened in the Congo.
"(a) stunning indictment of Belgium's brutal colonization of the Congo in the late 19th century. "~VARIETY
"Evokes the ignorance of a country that would rather look up to its ugly past than down." ~ SLANT MAGAZINE
"A journey into the original “Heart of Darkness”."~ NEW YORK DAILY NEWS
DIRECTOR AND CAST
Director: Peter Bate
Starring: Roger May
Starring: Nicholas Fraser
Starring: Steve Driesen
GENRES
Documentary
Bonus Documentary with DVD: BOMA TERVUREN, THE JOURNEY
BOMA TERVUREN, THE JOURNEY
DIRECTED BY FRANCIS DUJARDIN
BELGIUM / 1999 / FRENCH WITH ENGLISH SUBTITLES / 54 MIN
SYNOPSIS
The extraordinary and tragic saga of 267 Congolese, brought to Brussels for the 1897 World's Fair. After some four months of travel towards Belgium, they are exhibited before a million visitors. Subjected to the crushing gaze of the "Whites" and the cold climate, many fell prey to disease and even some lost their lives. The dead were hastily dispatched in a common grave, sparking a fierce debate in Belgian society. The project was overblown, but necessary in the eyes of the first colonizers, who presumed to have tamed the far-flung savages. One hundred years later, Congolese compatriots return to the scene of these events and question the "Whites" of today on the incredible story of that "human zoo". They carry out the ritual of "a return to the earth" by way of reparation for too great a hurt… A film that revisits a century of stereotyped conceptions about the Africans. And running through it, the almost aching question: "How is today different?"
EGYPT / 2009 / ARABIC WITH ENGLISH SUBTITLES / 135 MIN
SYNOPSIS
SCHEHERAZADE: TELL ME A STORY is a tale ripped from today’s headlines and yet a clever reference to the myths and lore of the Middle East.  When her husband (Hassan Saeed) asks her to tone down the subversive political rhetoric on her program, Egyptian talk show host Hebba (Mona Zaki) draws even more heat by beginning a series that explores the experience of women in contemporary Egypt. As three women speak out about the mistreatment they've suffered in a deeply patriarchal society, Hoda must contend with her own disintegrating marriage. Yousry Nasrallah directs this drama.
DIRECTOR AND CAST
Director: Yousry Nasrallah
Starring: Mona Zaki
Starring: Rehab El Gamal
Starring: Hassan El Raddad
GENRES
Drama
Also features Fallen Angels Paradise
FALLEN ANGELS PARADISE (GANNAT AL SHAYATEEN)
DIRECTED BY OUSSAMA FAWZI
EGYPT / 1999 / ARABIC WITH ENGLISH SUBTITLES / 80 MIN
SYNOPSIS
A homeless man dies of an overdose in a popular Cairo neighborhood. He was once an ideal husband and represented security for his family. Then one day, everything changed. Upon his death his friends from the underworld drag the corpse around for a whole night of madness, drinking and hallucinating situations. A game with death where the dead man becomes more alive than the living and fallen angels live according to their own rules, laws and desires in the chaos of the Egyptian capital. The film is based on a famous short story written by the Brazilian writer Jorge Amado.
Directed by Dana Rotberg | 2013 | New Zealand | 96mins | Drama | English and Maori with English subtitles.
SYNOPSIS
Based on a novel by Whale Rider writer Witi Ihimaera, White Lies - New Zealand's entry in the 2014 Oscar competition for best foreign-language film - is an intense drama that explores with great humanity and sensitivity such difficult topics as race relations, skin bleaching and motherhood.
Paraiti is the healer and midwife of her rural, Maori people - she believes in life. But new laws in force are prohibiting unlicensed healers, making the practice of much Maori medicine illegal. She gets approached by Maraea, the servant of a wealthy woman, Rebecca, who seeks her knowledge and assistance in order to hide a secret which could destroy Rebecca’s position in European settler society. This compelling story tackles moral dilemmas, exploring the nature of identity, societal attitudes to the roles of women and the tension between Western and traditional Maori medicine.
Official Selection Toronto International Film Festival 2013
DIRECTOR
Director: Dana Rotberg
GENRES
Drama
WHITE LIKE THE MOON
DIRECTED BYMARINA GONZALEZ PALMIER
U.S.A. / 2001 / ENGLISH / 23 MIN
SYNOPSIS
A Mexican-American girl struggles to keep her identity when her mother forces her to bleach her skin. White Like the Moon is a revealing film about a dilemma not very well known outside Latino communities; that of the myth of the light skin superiority in Indigenous and Indigenous descendant communities.
Two documentaries that explore the life of black people in Europe. GURUMBÉ: AFRO-ANDALUSIAN MEMORIES is a documentary that explores the contribution of Africans to Spain from the 15th to the 18th centuries.THE BLACK MOZART IN CUBA celebrates the The Chevalier de Saint-Georges, a remarkable man who lived in France in the 18th century.
GURUMBE
Flamenco is synonymous with Spanish culture. Yet, since its inception, theorists have sidelined the fundamental contribution of Afro-Andalusians to this art form. As the black population began to diminish in Spain in the late 19th century, so too did their contribution to this extraordinary art form. In Gurumbé: Afro-Andalusian Memories, their story is finally told. Directed by M. Angel Rosales, 2016, Spain/Mexico/Portugal/Senegal, documentary, 72min, Spanish and Portuguese w/ English subtitles.
BLACKS MOZART IN CUBA
Joseph Boulogne, Le Chevalier de Saint-Georges (1745-1799), became one of the most remarkable figures of the 18th century. He influenced the music and political life of his time. He was a genius composer and conductor, a virtuoso violinist, the best fencer in Europe, as well as the first black general in the French army.
Directed by Steve James, Stephanie James, 2008, 52 min, Guadeloupe, Documentary, English, French, Spanish with English subtitles.
Revealing films that give a voice to black women in the developing world: * Sexy Money is a wrenching testimony of the challenges faced by two women in Nigeria struggling to navigate a corrupt and ruthless capitalist and sexist environment. * Looking for Life follows two Haitian women's daily work and the constant battle for survival that they lead together with other women in Haiti.
SEXY MONEY
SEXY MONEY presents a subtle indictment of the social reality of poor women in contemporary Nigeria.
A reflection of the difficult social conditions of women in many societies in different parts of the world, SEXY MONEYexplores frontally with much sensitivity and compassion the broken hopes and hard choices of poor Nigerian women as they struggle to reintegrate Nigerian society with dignity after being expelled from Europe where they were looking for a better life. Directed by Karin Junger, 2014, 85 min, Nigeria/ Netherlands, documentary, English.
LOOKING FOR LIFE
LOOKING FOR LIFE introduces the viewer to two women, Anne-Rose and Rosemene, who each one has their own particular way of battling through life. The former makes lunches in a factory yard in Port-au-Prince and sells her meals to the factory workers on credit; the latter is employed in the same factory as a production worker making pullovers and T-shirts. By Claudette Coulanges, 1999, Haiti/Germany, Documentary, 60min, Haitian Creole w/ English subtitles.
Two exciting, colorful films spotlight the African roots of Cuba's culture by focusing on two legendary artists -- Rumbero Papa Montero and Filmmaker Sara Gomez -- in this unique box set.
THE LAST RUMBA OF PAPA MONTERO / LA ULTIMA RUMBA DE PAPA MONTERO
Get ready to rumba! The life of Cuba s last great rumbero is detailed in THE LAST RUMBA OF PAPA MONTERO, a bold story that captures Cuban traditions and culture through beautiful imagery, sensual music, and the most scorching Latin dance ever invented. Afro-Cuban mythology serves as the force behind the narrative as mythic figures guide the characters through the events of the story.
| Cuba/Martinique | 1992 | 52 mins | docu-drama in Spanish with English subtitles | Octavio Cortazar, Dir. |
“Montero is a celebration of rumba as heart and soul for a colorful Cuban landscape." - SLANT
SARA GOMEZ: AN AFRO-CUBAN FILMMAKER
Acclaimed filmmaker Sara Gomez comes to life in the rich, multilayered documentary SARA GOMEZ: AN AFRO-CUBAN FILMMAKER. Though trained in ethnography, Gomez became the first female Cuban filmmaker. Her background shaped her films, which reflect her interests in Afro-Cuban cultural traditions and women s issues. Friends and family members recall her talent, intelligence, and generosity. Ultimately SARA GOMEZ is a love story between Sara and her husband (filmmaker Germinal Hernandez), Sara and her family, and Sara and her culture. | Cuba/Switzerland | 2005 | 76 min | documentary in Spanish with English subtitles | Alessandra Muller, Dir. |
"[SARA GOMEZ] is an extremely important documentary.... " - Kwame Dixon, SCOPE
Two African Griots connect Africa and the World: Youssou N’Dour in Return to Gorée by Pierre-Yves Borgeaud, Sotigui Kouyaté in Names Live Nowhere by Dominique Loreau. DVD also includes Youssou N’Dour’s live concert performance on Gorée Island.
RETURN TO GOREE Film and Concert
RETURN TO GOREE follows Senegalese singer Youssou N'Dour's historical journey tracing the trail left by enslaved Africans and the jazz music they invented. Youssou N'Dour's challenge is to bring back to Africa a jazz repertoire of his own songs to perform a concert in Goree, the island that today symbolizes the slave trade and stands to honor its victims. With Youssou N'Dour, Moncef Genoud, Joseph Ndiaye, Idris Muhammad, and Amiri Baraka among others.
DVD includes filmed final concert on the Goree Island.
RETURN TO GOREE / CONCERT, Pierre Yves Borgeaud, Senegal/Switzerland/ Luxembourg, 2006, 108 min. / 52min. In English and French with English subtitles.
NAMES LIVE NOWHERE
NAMES LIVE NOWHERE (Les Noms N'Habitent Nulle Part) - whose title is a Senegalese proverb - a griot (story teller) traveling from Dakar to Brussels weaves a tale about African expatriates and offers a candid look at the life of African immigrants in Belgium. With Sotigui Kouyate - a real life griot - as the story teller.
NAMES LIVE NOWHERE, Dominique Loreau, Belgium, 1994 , 76min. In French with English subtitles.
Portrait of two leaders of the Pan-African Liberation Movement: Frantz Fanon and Amilcar Cabral.
Using rare archival footage, director Ana Lucia Ramos Lisboa accurately chronicles both the personal and public sides of an African icon in Amilcar Cabral (Cape Verde/ Portugal, 2001, 52 mins., in Portuguese with English Subtitles). The founder of the African Party for Independence of Guinea Bissau and Cape Verde (PAIGC), Amilcar Cabral led the Liberation Movement against Portugal for those countries.
Frantz Fanon
In the documentary Frantz Fanon: His Life, His Struggle, His Work(Algeria/France, 2001, 52 mins., in French and Arabic with English subtitles), director Cheikh Djemai uncovers and interviews scores of former associates of Frantz Fanon, a psychiatrist, philosopher and political leader. He became a spokesperson for the Algerian revolution against French colonialism, and as the author of Black Skin, White Masks, Fanon documented the effects of colonialism and racism on the people of colonized countries.
Amilcar Cabral
Amilcar Cabral was the leader of the Liberation Movement of Cape Verde and Guinea Bissau and the founder of the African Party for the Independence of Guinea Bissau and Cape Verde (PAIGC). He was born in Guinea in 1924 and assassinated in Conakry in 1973. Regarded as a true icon of African history, this documentary provides considerable background to this revolutionary giant and reveals Cabral in several dimensions: as a man, a father, politician, humanist and poet.
The documentary is skillfully produced and uses a wealth of rare archive footage, balanced inclusion of varied testimonies of important African personalities and the credible recreation of notable episodes of Cabral's life.
GREAT AFRICAN FILMS, VOLUME 3:Daratt (Dry Season) & The Desert Ark - The third installment in this series of award-winning films from Africa includes Mahamat-Saleh Haroun's Dry Season (2006, 95 minutes, French and Arabic with English subtitles), a subtle and often surprising film from Chad about the relationship between a young man and his father’s killer set at the end of the country’s civil war when the government has granted amnesty to war criminals - and Mohamed Chouikh's The Desert Ark (1997, 90 minutes, Arabic with English subtitles), Two teenagers from opposite sides of the tracks fall in love, their forbidden relationship pitting family against family - 185 minutes.
DARATT (DRY SEASON)
Chad, 2006. The government has granted amnesty to all war criminals. Atim, 16 years old, is given a revolver by his grandfather so that he may kill the man who killed his father. Atim leaves his village for N’djamena, seeking a man he does not know. He quickly locates him: former war criminal Nassara is now married and settled down as the owner of a small bakery. With the firm intention of killing him, Atim gets closer to Nassara under the guise of looking for work, and is hired as an apprentice baker. Intrigued by Atim's attitude toward him, Nassara takes him under his wing and teaches him the secrets of making bread. Over the weeks, a strange relationship evolves between the two. Despite his disgust, Atim seems to recognise in Nassara the father figure he has always needed, while Nassara sees the teenager as a potential son. One day, he suggests adoption. | Chad | 2006 | 95min | drama in French and Arabic with English subtitles | Mahamat-Saleh Haroun, Dir. | Winner "Special Jury Prize" Venice Film Festival 2006 Winner Bronze Yennenga Stallion, FESPACO 2007
“Haroun is an uncommonly precise filmmaker who guides Daratt to an unusually satisfying ending.” - TIME OUT NEW YORK
THE DESERT ARK
Romeo and Juliet in the Algerian desert. Amin and Myriam are secretly in love. Their families are rivals and when their relationship is discovered, conflict is inevitable. From inside the cave where they have taken refuge, the two young people hear the cries of a senseless murderous raid. A universal metaphor to denounce the horror of all extremist violence, The Desert Ark is a splendid and terrifying visualization of contemporary reality..
| Algeria | 1997 | 90min |Epic Drama in Arabic with English subtitles | Mohamed Chouikh, Dir. | Winner “Best Cinematography" Special Jury Prize FESPACO 1999.
GREAT AFRICAN FILMS: VOLUME 1 :Haramuya & Faraw! Mother of the Dunes-Two films are included in the package, making for an entertaining and edifying double feature experience: Drissa Toure’sHaramuya (1995) is a dramatic comedy about several generations of a traditional Muslim family scraping up against various temptations (crime, movies, drugs, music) of modernity in the city ofOuagadougou, the capital ofBurkina Faso, and Abbdoulaye Ascofare’sFaraw: Mother of the Dunes(1997), from Mali is about a mother of three who struggles to support her family while saving her daughter from becoming the concubine-maid of a French colonialist.
FARAW! MOTHER OF THE DUNES
Zamiatou is the mother of two quarrelsome boys and a depressed teenage girl. She is also the wife of a man arrested for political reasons who returns from prison mentally and physically destroyed. She struggles hard to survive in a poor and desolate area. She is ready to face anything to keep the family alive except prostituting her beautiful daughter. Her determination will take her far from her family… Detail by detail, this finely lensed first feature salutes the triumph of human ingenuity over terrible odds.
| Mali|1997| 90min | drama in Songhai with English subtitles | Abbdoulaye Ascofare, Dir. | Best Actress, FESPACO 1997. Cannes 1997 Official Selection, International Critics Week.
“One of the strongest portraits of female determination to come out of Africa in recent years.” ~ VARIETY
HARAMUYA
Ouagadougou, its buildings and shantytowns... Wealth in a modern town and poverty in the suburbs. Through Fousseini — a Muslim firmly attached to his faith, traditions and family, Haramuya draws a picture of Ouagadougou trapped between modernism and traditionalism. Fousseini tries to take care of his family according to the old precepts and the code of honor inherited from his ancestors. One of his sons is a cinema projectionist and supports all the family against the will of his wife. The other son idles around all day long in Ouagadougou, looking for a girlfriend.
| Burkina Faso/France |1995 | 87min |comedy in French with English subtitles |Drissa Toure, Dir. | Official selection, Cannes 1995 “Un Certain Regard.”
Revealing films about two very important Afro-Brazilian figures:
*Abdias do Nascimento(March 14, 1914 - May 23, 2011) was an outspoken and vibrant defender of Afro-Brazilian civil rights. *Natalino Jose do Nacimento, better known as Natal Da Portela (July 31, 1905- April 5, 1975) was one of the founders and major sponsor of the Portela Samba School in Rio de Janeiro, champion of the 2017 Carnival parade.
ABDIAS DO NASCIMENTO
Loving and revealing documentary about Afro-Brazilian scholar/writer/activist /politician Abdias do Nascimento (1914-2011), a significant figure in and leader of Brazil’s Black movement who founded the Black Experimental Theater in 1944 and was very active in the international Pan-African Movement. Directed by Aida Marques, 2011, 95 min, Brazil, Documentary, Portuguese with English subtitles.
NATAL DA PORTELA
The name ‘Natal da Portela’ is historically attached to the cultural identity of Brazil. Natal da Portela created the first escola de samba in Rio de Janeiro. The schools of samba are the soul of carnival in Brazil and major reservoirs of Afro-Brazilian culture. The film depicts the life of Natal da Portela as a young man from the favelas--the slums of the northern part of Rio de Janeiro--up to the creation of “la Portela”, the school of samba he created.
Directed by Paulo Cezar Saraceni, 1988, 100min, Brazil, Drama, Portuguese with English subtitles.
GREAT AFRICAN FILMS: VOLUME 4 The fourth installment in this series of award-winning films from Africa includes Moussa Toure's impressive "The Pirogue" and Khady Sylla's incisive docs "Colobane Express" and "The Silent Monologue."
THE PIROGUE / LA PIROGUE
Director: Moussa Toure From: Senegal / France / Germany Year: 2012 Minutes: 87mins Language : French and Wolof with English Subtitles Genre: Drama
In Moussa Toure's powerful epic fiction film, a group of 30 men and a woman sail to Europe in a pirogue, facing the sea - and the possibility of never reaching their destination - in exchange for the myth of a better life in Europe.
"Senegal, a West African nation on the Atlantic Ocean, was home to Africa's greatest movie-maker, Ousmane Sembene. Today, Moussa Toure follows in the master's footsteps with this drama of 30 men (and one woman, a stowaway) who set out on an illegal 7-day voyage to Spain - making the perilous trip in a pirogue - a boat resembling a vastly oversized dinghy. While sharing a common desire to build a better future, these men hail from different ethnic and religious backgrounds. The story grows from a finely delineated mosaic of personalities - reactions to the journey's mounting danger - that span the emotional panoply of human experience. Toure's compelling tale says as much about the universal nature of courage and perfidy as it does about the economic realities faced by so many of the world's people. THE PIROGUE was featured in Cannes 2012, in the Un Certain Regard section." ~ Film Forum.
* Festival international du Film de Cannes, Un Certain Regard, 2012 * Tanit d'or award, Carthage Film Festival, 2012 * Award for best direction, people's choice award, Angouleme, 2012 * Prix Lumieres award for best French-language film, Locarno International Film Festival
Director: Khady Sylla From: Senegal/France Year: 1999 Minutes: 52 Language: Wolof with English subtitles Genre: Docu-Drama
Public vans provide the traditional and sole means of city transportation in Dakar, Senegal. In a frenzy of activity, from the outskirts to downtown, people from all walks of life as well as fruits, vegetables, chickens, etc. are transported daily in these public vans. Colobane Express opens a window on a slice of life in the busy urban metropolis where drivers and their trainees are always on the go, managing relationships, incidents and conflicts, dealing with the competition and providing an invaluable service to demanding yet loving customers.
THE SILENT MONOLOGUE / LE MONOLOGUE DE LA MUETTE
Director: Khady Sylla and Charlie Van Damme From: Senegal / Belgium Year: 2008 Minutes:48mins Language : French and Wolof with English subtitles Genre: Docu-drama
In a voice-over, we hear the thoughts of Amy, a girl from a rural area of Senegal who works as a domestic for a well-to-do family in Dakar. She complains about her employer, who continuously criticizes her and gets on her case, and she talks about her dream of one day opening her own eatery. Meanwhile, we see her sweep the pavement, prepare the food and clean the house. The contrast with her vast and barren native region is enormous. In Dakar, some 150,000 young women work as housekeepers for families whose daughters can go to school. "Why does the emancipation of some result in the servitude of others?" Amy wonders. The filmmakers interview other young maids who dream of going to school, and they film a woman who shouts her furious lyrics straight into the camera in rapper-like fashion: "I keep your houses squeaky clean, but you all think I'm dirty!" In a dramatized scene in a slum, the women demonstrate how they'd like to deal with a woman who doesn't pay her housekeeper enough. In response to the situation, the filmmakers make an appeal to change the rules of the world economy.
Two fiction films that explore the life of women in Africa. Set in Burkina Fasso AN UNCOMMON WOMAN is a comedy about a cuckold woman who decides to take a second husband. CAPE VERDE MY LOVE is drama that takes a critical look at the lives of women in contemporary Cape Verde.
AN UNCOMMON WOMAN
Mina is tired of her husband's infidelity and decides to take a drastic decision: She takes a second husband. Based on his conversations with women involved in polygamist relationships, he illustrates - to very funny effects - the daily life of two persons - in this case two men - who share a spouse. On a comedic tone, Abdoulaye Dao tells us a story of jealousy, infidelity, romance and revenge.Directed by Dao Abdoulaye, 2009, 101 min, Burkina Faso, Comedy, French with English subtitles.
An Uncommon Woman-Une Femme Pas Comme Les Autres- was a success in its native Burkina Faso and is cast with some the best actors of Burkinabe cinema.
Official selection, African Diaspora International Film Festival 2010.
CAPE VERDE MY LOVE
Praia, Cape Verde. Laura, Flavia and Bela are childhood friends. Each leads her own life and they sometimes meet to dance, dine and have fun. But one day the calm rivers of their lives break their banks and become wild torrents: Ricardo, Flavia's husband, rapes his pupil Indira, Laura's 13-year old eldest daughter. A film that takes a critical look at the lives of women in Cape Verde .
By Ana Lucia Ramos Lisboa, 2007, Cape Verde, Drama, 77min, Cape Verdean Portuguese w/ English subtitles.