ARTMATTAN FILMS LATEST RELEASES

The Wall Street Boy, Kipkemboi has a strong socially conscious subtext as the village youth becomes a political prisoner. The film also is very positive about the role of women as strong equals." ~ Ed Rampell, The Progressive Populist
BREAKING BOUNDARIES is a feature-length documentary that focuses on the journey of black Californian teenager, Nastasya Generalova, as she attempts to become the first African-American from the USA to compete in the 2020 Olympic Games in the traditionally white sport of rhythmic gymnastics.

"The Surinamese-Dutch Leuwsha (born in Amsterdam, living in Suriname since 1996) uses the life story of her grandmother Fancelyne 'Fansi' Cummings (1905-1979) in her film to show the special historical development that the country underwent in the last century." ~ One World Netherlands

New Releases - Institutional DVD / DSL

Mali in the 60s: A Cultural Revolution

Mali in the 60s: A Cultural Revolution

Regular price $395.00
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DANCING THE TWIST IN BAMAKO 

DANCING THE TWIST IN BAMAKO is a romance fraught with the drama of political change and infused with the musical energy of the 60s in Mali, only recently independent from French colonial rule. Samba, a young, idealistic socialist, works toward creating a more just nation by day and dances with girlfriend Lara to the Beach Boys, Otis Redding, and the Supremes by night.

by Robert Guédiguian, France / Canada / Senegal, 2021, 129min, Romantic Drama, French with English subtitles.

 

THE MALI CUBA CONNECTION

In the midst of the Cold War, ten young promising musicians from Mali are sent to Cuba to study music and strengthen cultural links between the two socialist countries. Combining Malian and Afro-Cuban influences, they develop a revolutionary new sound and become the iconic ensemble ‘Las Maravillas de Mali’. 

By Edouard Salier and Richard Minier, France/Cuba/Mali, 2020, 81 mins, Documentary, Spanish, French with English subtitles.

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The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi
The Wall Street Boy,  Kipkemboi

The Wall Street Boy, Kipkemboi

Regular price $395.00
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The Wall Street Boy, Kipkemboi

The Wall Street Boy / Kipkemboi" tells the story of a young math genius from rural Kenya who uses his understanding of patterns in nature to develop a successful stock market algorithm. His remarkable success from a makeshift setup in his village draws attention from international financiers and local authorities, forcing him and his girlfriend Chepchirchir to flee.

This fictional film explores themes of innovation, resourcefulness, and the clash between tradition and modernity. It serves as a valuable educational resource, prompting discussions on financial literacy, ethics in global finance, and the socio-economic dynamics of contemporary Africa.

Kenya/Canada, 2024, 90 mins, drama in English, Charles Uwagbai, dir. 

“The Wall Street Boy, Kipkemboi has a strong socially conscious subtext as the village youth becomes a political prisoner. If redistribution of wealth to the least of these among us is a socialist principle, suffice it to say that “Kipkemboi” cleverly achieves this – but through exploiting the capitalist system. The film also is very positive about the role of women as strong equals. Not only is Kipkemboi’s mother supportive, but Chipchirchir is no mere cheerleader. She does more than inspire Kipkemboi; she drives their getaway vehicle and this village lass has dreams of her own, aspiring to become an attorney. Watching the romance of the appealing leads blossom is also beguiling." ~ Ed Rampell, The Progressive Populist

SCREENINGS:

Theater / Film Festival

City, State

Date 

Lark Theater Larkspur, CA July 26
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BREAKING BOUNDARIES
BREAKING BOUNDARIES
BREAKING BOUNDARIES
BREAKING BOUNDARIES
BREAKING BOUNDARIES
BREAKING BOUNDARIES

BREAKING BOUNDARIES

Regular price $395.00
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Breaking Boundaries is a captivating feature-length documentary that chronicles the journey of Nastasya Generalova, a determined Californian teenager and daughter of an African-American father, raised by her single mother, Olga.

Introduced to rhythmic gymnastics at the age of four to connect with her mother’s Russian heritage, Nastasya embarks on a path filled with emotional and physical challenges. Her dream of competing in the 2020 Olympic Games drives her to overcome systemic biases and limited resources.

The film highlights her resilience, ambition, and the unwavering support of her mother, transforming into the inspirational story of a young athlete breaking boundaries in a demanding sport. With suspense building as we root for her, this poignant story offers a unique perspective on the personal struggles and triumphs involved in pursuing one's dreams against all odds.

Nastasya Generalova was an ambassador for She’s the First. 

Directed by Dina Burlis, 2024, 76 mins, USA, Documentary, English and Russian with English subtitles.

 

 

FESTIVAL SCREENINGS

 Festival/Theatre City/State Screening Date
ADIFF DC Washington, DC Aug. 2
Laemmle Glendale, CA Aug. 11



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Mother Suriname / Mama Sranan
Mother Suriname / Mama Sranan
Mother Suriname / Mama Sranan
Mother Suriname / Mama Sranan
Mother Suriname / Mama Sranan
Mother Suriname / Mama Sranan

Mother Suriname / Mama Sranan

Regular price $395.00
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Mother Suriname – Mama Sranan is a deep and evocative portrayal of Suriname's history and the personal story it weaves. Its effectiveness in bringing Surinamese history to life, makes it a significant contribution to understanding the country's cultural and historical landscape.

A woman looks back on her life, through narration and song. In Mother Suriname – Mama Sranan, filmmaker Tessa Leuwsha uses a stream of fascinating colorized archival footage to illustrate the lives of Surinamese women like her grandmother, who was a washerwoman.

She’s born in a hamlet in 1905 to a white mother and a black father—a disgrace. Her father is forced to leave and her mother also disappears. She’s despised as a half-caste, does not go to school and soon becomes aware of the state of colonial relations (“we work and they watch”). She has a child whose father is always elsewhere, working for the Dutch. Determined to make the most of her life, she moves to Paramaribo, where she has three more children she raises on her own.

Meanwhile, she sees her homeland moving towards more self-esteem. Before Suriname’s independence in 1975 however, all her children move to the Netherlands—and she eventually follows them, with sorrow in her heart: “In Holland, paradise is like a shadow, just in front of you or behind you, never with you.” Still, strong-willed as she is, she finds a place where she connects with her homeland, her spiritual roots and herself.

"Not only a biography but also a portrait of a colony on the road to independence." ~ Pauline Kleijer for De Volkskrant 

"A breathtaking journey through the history of Suriname." ~ Guus Schulting for De Filmkrant

Directed by Tessa Leuwsha, 2023, 71 minutes, Documentary, Netherlands, Dutch (with English subtitles) or in English

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Walter Rodney: What They Don't Want You To Know

Walter Rodney: What They Don't Want You To Know

Regular price $395.00
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Walter Rodney: What They Don't Want You To Know

An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the British Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of colonialism, and its impact on the modern world.

"Walter Rodney" is a compelling documentary that delves into the life and legacy of Dr. Walter Rodney, a prominent historian, activist, and champion for civil rights. Through a series of enlightening interviews and footage captured across Guyana, Barbados, Jamaica, Tanzania, the United States, and the United Kingdom, the film presents a comprehensive portrait of a man who dedicated his life to fostering unity in the face of adversity. Rodney's ideals and struggles continue to resonate with contemporary global movements for social justice and equality.

In 1980, Walter Rodney's life was tragically cut short in Guyana, South America, as a result of actions taken by the oppressive government of Forbes Burnham, which was supported by the CIA and MI5. Four decades after his untimely death, the Guyanese government has finally acknowledged the state's involvement in his assassination, shedding light on a dark chapter in the nation's history.

This is the first film where Walter’s widow reveals the personal impact on the family of Walter’s assassination. Contributors include Angela Davis, Gina Miller, former President of Guyana Donald Ramotar, Edward and Donald Rodney, and Walter’s wife Patricia Rodney, as well as prominent historians.

The film premiered at the British Film Institute's largest screen to a sell-out audience of 450, the BFI is Britain’s most prestigious film organization. 

Directed by Arlen Harris and Daniyal Harris-Vajda, UK, 2023, 72min, Documentary in English. Special thanks to The Walter Rodney Foundation and the Ameena Gafoor Institute.

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POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)
POWER ALLEY (LEVANTE)

POWER ALLEY (LEVANTE)

Regular price $395.00
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POWER ALLEY / LEVANTE


The compelling Brazilian drama - 2023 Cannes Film Festival Semaine de la Critique selection - Power Alley (Levante) by Lillah Halla is a poignant exploration of the challenges faced by young women in contemporary Brazil, particularly around issues of reproductive rights and gender identity.  
It tells the story of Sofia (17), a promising volleyball player from a humble suburb of São Paulo in Brazil who, on the eve of a future-defining championship, is faced with an unwanted pregnancy. Seeking an illegal termination, she becomes the target of a fundamentalist group determined to stop her at any cost.

The film delves into the challenges Sofia faces in her community, dominated by conservative values. Her extraordinary talent offers her a glimpse of a different life, but she soon finds herself at a crossroads when unforeseen circumstances threaten her future.

The narrative explores themes of community, resilience, and self-expression, as Sofia and her diverse group of friends, who are rebellious and supportive, navigate these trials. Their solidarity and collective strength form the core of this vibrant and emotionally charged story, showcasing the power of unity and defiance in the face of adversity. This film is a testament to the fierce spirit of youth and the unyielding pursuit of freedom and agency.

"A punchy, confrontational energy infuses this celebration of queer sisterhood in the face of Brazilian conservatism,"  Screen Daily

"The context of the team environment being a highly queer space, complete with trans and non-binary players... gives the notion of overcoming an unwanted pregnancy a unique charge: with a far-right, Bolsonaroist group catching wind of her situation as neighborhood gossip circulates...," Cineuropa

"...This spirited feature debut from Lillah Halla is a vivid, dynamic piece of filmmaking driven by the sparky connections between the teammates and a terrific, pulsing electronic score," ~ Screen Daily

Brazil/France/Uruguay, 2023, 99 mins, drama in Portuguese (With English subtitles), Lillah Halla, dir. 

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Citizen Kwame

Citizen Kwame

Regular price $395.00
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CITIZEN KWAME

“Citizen Kwame” is a Kafkaesque film about travel visas and brain drain in Africa. It tells the story of Kwame, an ambitious African man who wants to travel outside his country. However, he must first obtain a visa from a white Western gatekeeper who controls movements in and out of the house. It is only with the help of a newly acquired white Western girlfriend that he succeeds.

“This film explores universal themes such as freedom of movement, family and friendship, in a way that is meant to make the audience reflect on them,"  ~ Yuhi Amuli

Rwanda, 2023, 81 mins, drama in English, Yuhi Amuli, dir. 

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MUSIC PICTURES: NEW ORLEANS & MARY LOU WILLIAMS, THE LADY WHO SWINGS THE BAND

MUSIC PICTURES: NEW ORLEANS & MARY LOU WILLIAMS, THE LADY WHO SWINGS THE BAND

Regular price $395.00
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Experience the essence of jazz and blues in two captivating documentaries! Music Pictures: New Orleans by Ben Chace features legends like Irma Thomas and Ellis Marsalis, while Mary Lou Williams: The Lady Who Swings the Band by Carol Bash delves into the life of the groundbreaking Mary Lou Williams.

Music Pictures: New Orlean Trailer Art from ArtMattan Productions on Vimeo.

MUSIC PICTURES: NEW ORLEANS

Music Pictures: New Orleans gives us legacy portraits and a rare backstage access into the lives and craft of four New Orleans music legends: Grammy-winning vocalist known as “The Soul Queen of New Orleans” Irma ThomasLittle Freddie King, one of the last original bluesmen who at the age of 81 still performs live; the world renowned Tremé Brass Band, a fixture in the New Orleans jazz community; and Ellis Marsalis - father of internationally acclaimed musician, composer and bandleader Wynton Marsalis - the patriarch of the famed jazz family who helped found the modern jazz scene in the 1950s. 

Directed by Ben Chace, 2022, USA, 72 Min, Documentary, English

MARY LOU WILLIAMS TRAILER from ArtMattan Productions on Vimeo.

MARY LOU WILLIAMS: THE LADY WHO SWINGS THE BAND

She was ahead of her time, a genius. During an era when Jazz was the nation's popular music, Mary Lou Williams was one of its greatest innovators. As both a pianist and composer, she was a font of daring and creativity who helped shape the sound of 20th century America. And like the dynamic, turbulent nation in which she lived, Williams seemed to redefine herself with every passing decade.

Directed by Carol Bash, 2015, USA, 70 min, Documentary, English

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Zora Neale Hurston: Jump at the Sun

Zora Neale Hurston: Jump at the Sun

Regular price $395.00
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Zora Neale Hurston: Jump at the Sun, directed by Sam Pollard, is an illuminating documentary that captures the life and legacy of one of the most significant African American writers of the 20th century, Zora Neale Hurston. The film takes its audience on a journey through Hurston's eventful life, from her early years in Eatonville, Florida, to her pivotal role in the Harlem Renaissance. It delves into her works, her unique storytelling style that blended folklore with rich depictions of African American life, and her contributions to African American literature. The documentary also addresses the challenges Hurston faced, including her struggle with financial instability and her controversial viewpoints that often placed her at odds with the mainstream civil rights movement. Through interviews with scholars, contemporaries, and excerpts from her own writings, Pollard's film pays homage to Hurston's indomitable spirit and enduring impact on literature and African American culture.

Directed by Sam Pollard, 2008, USA, 84 Min, Documentary, English

"Zora Neale Hurston: Jump at the Sun is a moving interpretation of Zora Neale Hurston's life and career. In fact, a viewer can easily sit halfway through the eighty-four-minute film and forget one is watching a documentary," ~Project Muse

"Kudos to Bay Bottom News and American Masters for their professional production, and for bringing to light an amazing and long overdue story of a legendary icon and storyteller of the Harlem Renaissance and beyond,"~ Pennsylvania State University

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Rolê - Stories of Brazilian Protests in Malls
Rolê - Stories of Brazilian Protests in Malls
Rolê - Stories of Brazilian Protests in Malls
Rolê - Stories of Brazilian Protests in Malls
Rolê - Stories of Brazilian Protests in Malls
Rolê - Stories of Brazilian Protests in Malls

Rolê - Stories of Brazilian Protests in Malls

Regular price $395.00
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Rolê - Stories of Brazilian Protests in Malls

Protests against the violence perpetrated by security guards and shopping mall employees in Brazil have mobilized thousands of people in recent years. These protests have highlighted the barriers imposed by racial discrimination and social exclusion. This documentary explores the lives and memories of three black activists who have faced traumatic experiences of racism and participated in recent shopping mall protests in Brazil. Discover the dreams, beauty, poetry, art, and politics of a generation that has found new ways to confront violence by fostering an intense national debate.

Directed by Vladimir Seixas / 2021 / 82 minutes / Documentary / Brazil / Portuguese with English subtitles.

DIRECTOR AND CAST

Director: Vladimir Seixas

 

GENRES

  • Documentary
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GREAT AFRICAN FILMS: VOLUME 5

GREAT AFRICAN FILMS: VOLUME 5

Regular price $395.00
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GREAT AFRICAN FILMS - Vol 5 The fifth installment in this series of award-winning films from Africa includes award winning films A Son (Un Fils) by Mehdi Barsaoui and Wulu by Daouda Coulibaly.

A SON (Un Fils) / Bik Eneich 

An intense family drama starring French-Tunisian actor Sami Bouajila, winner of the Orizzonti Award for Best Actor, Venice Film Festival 2019 and winner of the César Awards, France for Best Actor in 2021.  

11 year old Aziz needs a liver transplant after being seriously injured during a terrorist ambush while on holiday in 2011. At the hospital, a family secret will be revealed.

A drama that expertly captures complex human emotions within their socio-cultural, historical and political context. ~ Hollywood Reporter

Directed By Mehdi Barsaoui / Tunisia/ 2019/ Drama/ Arabic With English Subtitles/ 96 Min


WÙLU

Shot for a good deal of the time using hand-held cameras, WÙLU is an African thriller that has an urgency and a vibrancy most Western made films lack.

Ladji, (a beautifully understated Ibrahim Koma), is the young man who, after losing his job on the cross-border taxis, takes up smuggling cocaine with lucrative if highly dangerous results.

A social commentary about the impact of corruption on intelligent, hard working African youths looking to improve their standard of living at home.

Official Selection TIFF 2016.  Winner Ousmane-Sembene Prize and Best Actor Award for Ibrhim Koma at FESPACO 2017.

Directed by Daouda Coulibaly, 2016, France/Mali, 95min, crime drama, French w/ English subtitles

 

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Nome
Nome
Nome
Nome
Nome
Nome

Nome

Regular price $395.00
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Official Selection ACID Cannes Film Festival 2023!

Nome is a historical drama directed by Sana Na N'Hada and written by Virgílio Almeida and Olivier Marboeuf. The story takes place in Guinea-Bissau in 1969, during the war of independence between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea.

The protagonist, Nome, leaves his village and joins the ranks of the guerrillas. After years of struggle, he returns to his village as a hero. However, the initial joy soon gives way to bitterness and cynicism.

By Sana Na N'Hada,  Guinea-Bissau/France/Portugal/Angola, 2023, 117min, Drama, Portuguese w/ English subtitles

 

"Nome  is a film over 50 years in the making. In the late 60s, revolutionary Bissau-Guinean Marxist leader Amílcar Cabral sent filmmakers Sana na N’Hada, Flora Gomes, Josefina Lopes Crato and José Bolama to Cuba. To help change international public opinion against the Portuguese colonial regime, they returned to the country to document the struggle. This archive footage forms the basis for the fiction Nome, N’hada following its eponymous character as he joins the resistance movement. 

Perhaps Cabral, had he lived to see this movie (assassinated in 1973), would be disappointed, as Na N’hada, returning to one of his first filmmaking projects, complicates a simple resister narrative into a more complex tale of post-colonial legacy and the true cost of war. Things get particularly messy when the occupation is over, colonial occupation giving way to corruption and petty gangsterism on the streets of Bissau, issues that have plagued the country until this day. 

Independence, it seems, is just the start. " ~ ACID Cannes 2023

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The Survival of Kindness

The Survival of Kindness

Regular price $395.00
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Survival of Kindness Trailer Art from ArtMattan Productions on Vimeo.

THE SURVIVAL OF KINDNESS 

DIRECTED BY ROLF DE HEER
AUSTRALIA / 2023 / ENGLISH / 96 MIN

Written, directed and produced by award-winning auteur filmmaker Rolf de Heer (Dingo, Bad Boy Bubby, The Tracker)

The Survival of Kindness

uses allegory to analyze race and privilege, as it follows protagonist BlackWoman (South Australian Mwajemi Hussein), abandoned in a cage in the middle of the desert. Following her escape, she walks through pestilence and persecution, from desert to mountain to city, only to find more captivity.

Filmed across various stunning Australian landscapes in South Australia and Tasmania, Survival of Kindness is led by Australian producer Julie Byrne (AACTA Award winning The Babadook) alongside de Heer, and is co-produced by Ari Harrison (The Furnace).

 

DIRECTOR AND CAST

Director: Rolf de Heer
Starring: Mwajemi Hussein
Starring: Gary Waddell
Starring: Natasha Wanganeen
 

GENRES

  • Drama, Mystery

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Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans
Music Pictures: New Orleans

Music Pictures: New Orleans

Regular price $395.00
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Music Pictures: New Orlean Trailer Art from ArtMattan Productions on Vimeo.

Music Pictures: New Orleans gives us legacy portraits and a rare backstage access into the lives and craft of four New Orleans music legends: Grammy-winning vocalist known as “The Soul Queen of New Orleans” Irma ThomasLittle Freddie King, one of the last original bluesmen who at the age of 81 still performs live; the world renowned Tremé Brass Band, a fixture in the New Orleans jazz community; and Ellis Marsalis - father of internationally acclaimed musician, composer and bandleader Wynton Marsalis - the patriarch of the famed jazz family who helped found the modern jazz scene in the 1950s. 

Music Pictures: New Orleans is a vibrant documentary exploring the rich musical heritage of New Orleans. It showcases the city’s diverse musical landscape, from legendary jazz clubs to lively street performances, highlighting the influences of Creole, African American, and French cultures. The film delves into how historical events, including Mardi Gras and Hurricane Katrina, have shaped the city’s music scene. Through interviews with local musicians and historians, it reveals music's role in the city’s cultural and social fabric, celebrating genres like jazz, blues. This documentary offers an insightful glimpse into the resilience and cultural dynamism of New Orleans, making it a valuable resource for those interested in music history and cultural studies.

Directed by Ben Chace, 2022, USA, 72 Min, Documentary, English

"Music Pictures: New Orleans is a pleasantly entertaining, early 2020s snapshot of four influential artists in blues and jazz." - Culture Mix

"Sometimes if you’re tired of documentaries that try to push a one-sided political message, a musical documentary can fix that. The documentary Music Pictures: New Orleans is an insightful documentary of a town with a century of a music legacy." ~ Jon The Blogcentric.org

" Music Pictures: New Orleans is a great documentary showcasing musicians, both individuals and groups, and how their sound has an impact not only on the sounds of New Orleans but on musical genres as a whole. It’s as much about its past legacy as it is about its present and future." ~ Jon The Blogcentric.org

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YAFA Forgiveness

YAFA Forgiveness

Regular price $395.00
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Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.

“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.

Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles

 


"In my young adult years in France, I could see that there was tension between the Caribbean community and the African community, but I didn’t know why. The hidden historical facts, the great Black characters erased or transformed, the identity and culture construction... This is the thread of the ongoing dialogue between Demba (Sidiki Bakaba) and Lucien (Luc Saint-Eloy). The migrant and the policeman. Africa and the West Indies."  ~ Karukerament
Read full review HERE

ABOUT DIRECTOR CHRISTIAN LARA
Christian Lara is a Guadeloupean/French film director, writer, cinematographer and producer. Having shot more than twenty feature films in the Caribbean, France, Canada and Africa, he is regarded by many as "the Father of French Antilles cinema".

Official Selection
Trinidad and Tobago Film Festival 2022
African Diaspora International Film Festival, NYC 2022
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Ludi

Ludi

Regular price $395.00
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Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.

"Ludi," directed by Edson Jean, is a compelling exploration of the Haitian immigrant experience set in the vibrant community of Little Haiti in Miami. The film follows the resilient protagonist, Ludi, portrayed by the talented Shein Mompremier, as she grapples with the challenges of forging a new life in America. In the pursuit of the elusive American dream, Ludi confronts the harsh realities of the immigrant experience.

Edson Jean's directorial finesse captures the nuances of cultural identity, economic struggle, and the indomitable spirit that propels individuals to persevere against adversity.  The film not only sheds light on the immigrant narrative but also serves as a poignant reflection on the strength and resilience of those who dare to seek a better life in a new land. "Ludi" stands as a significant contribution to the cinematic exploration of diasporic experiences within the Afro-Caribbean context.

Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles

"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist

"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat

"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron PetersonHollywood Outsider 



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Executive Order (Medida Provisora)
Executive Order (Medida Provisora)
Executive Order (Medida Provisora)
Executive Order (Medida Provisora)
Executive Order (Medida Provisora)
Executive Order (Medida Provisora)

Executive Order (Medida Provisora)

Regular price $395.00
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EXECUTIVE ORDER
(Medida Provisória)

Set in a dystopian near future in Rio de Janeiro, a lawyer (Alfred Enoch) sues the Brazilian government for reparation of all descendants of African slaves in the country. The authoritarian government responds by signing an executive order sending all black citizens to Africa as an excuse to repay the debts of slavery. 

Directed by Lázaro Ramos, 2020, Brazil, 101min, Drama, Portuguese w/ English subtitles.

"A chilling believability creeps into this dystopian debut from actor-turned-director Lázaro Ramos that’s hard to shake off." ~ Cath Clarke, Guardian

"[Executive Order] is Bacurau on a global scale, Get Out without the humor. It's Armee Guineenne unleashed in movie form, a melancholic prophecy of a coming war and a sendoff to those brave African soldiers who dared to fight for their heartland." ~ Asher Luberto, L.A. Weekly

"The directing is excellent, the cast is giving it their all, and the themes are relevant and need to be discussed." ~ Bobby LePire, Film Threat

"Politically and culturally driven it may be, Executive Order still ultimately aims for entertainment and education in equal measure." ~ Peter Gray, The AU Review

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WÙLU
WÙLU
WÙLU
WÙLU
WÙLU
WÙLU
WÙLU
WÙLU
WÙLU
WÙLU

WÙLU

Regular price $395.00
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WULU Trailer from ArtMattan Films on Vimeo.

WÙLU

Shot for a good deal of the time using hand-held cameras, WÙLU is an African thriller that has an urgency and a vibrancy most Western made films lack.

Ladji, (a beautifully understated Ibrahim Koma), is the young man who, after losing his job on the cross-border taxis, takes up smuggling cocaine with lucrative if highly dangerous results.

A social commentary about the impact of corruption on intelligent, hard working African youths looking to improve their standard of living at home.

Official Selection TIFF 2016.

Directed by Daouda Coulibaly, 2016, France/Mali, 95min, crime drama, French w/ English subtitles


"In Wùlu, Malian cinema has found a promising and intriguing new voice." ~ Pamela Pianezza, Variety

"The film's foretold but very understated ending, which keeps a key moment offscreen to devastating effect, again confirms that Coulibaly is a talent to watch." ~ Boyd van Hoeij, Hollywood Reporter

"Coulibaly's Wùlu is a well-acted, fast moving, episodic depiction of some of the issues in contemporary Africa." ~ Alexa Dalby, Dog and Wolf

"A rags-to-riches crime saga like you won't see anywhere else." ~ Brent McKnight, The Last Thing I See

 

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ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET
ANGELS ON DIAMOND STREET

ANGELS ON DIAMOND STREET

Regular price $395.00
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Angels On Diamond Street Trailer - Art HD from ArtMattan Productions on Vimeo.

ANGELS ON DIAMOND STREET

DIRECTED BY Petr Lom
U.S.A. / Netherlands / 2019 / ENGLISH / SPANISH w/English Subtitles / 88 MIN


SYNOPSIS

Angels on Diamond Street spotlights three women fighting for social justice in an African-American church in Philadelphia. We follow head cook Mamie Mather, former Black Panther Barbara Easley-Cox and Pastor Renee Mackenzie at the soup kitchen of the Church of the Advocate: a national monument with a rich history in the civil rights movement.

When an undocumented Mexican immigrant family - Carmela Apolonio Hernandez and her children - asks the church for sanctuary, they are welcome with open arms. Pastor Mackenzie courageously defies the ICE immigration authorities in an act of civil disobedience.

A documentary about compassion that invites us to forget about all borders, be they of race, nationality or religion.

 

"Angels on Diamond Street, by the Netherlands-based director Petr Lom, is rich with quotable quotes. It is a tender look at an American church with an old, persevering, social justice soul, and the people who make their soup kitchen a communal magnet.

The film was recorded during a two-year focus on North Philadelphia's activist congregation of the Church of the Advocate in the heart of a poor, African American neighborhood. The church building is a huge, stone beauty finished in 1887, named the George W. South Memorial Church, but is best known by its current moniker. Informative and strung together chronologically, it grows into an occasional conversation between the man behind the camera and the people he follows. You can read a lot in its details." ~ JoAnne Velin, moderntimes.review.com

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DANCING THE TWIST IN BAMAKO
DANCING THE TWIST IN BAMAKO
DANCING THE TWIST IN BAMAKO
DANCING THE TWIST IN BAMAKO
DANCING THE TWIST IN BAMAKO
DANCING THE TWIST IN BAMAKO

DANCING THE TWIST IN BAMAKO

Regular price $395.00
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Dancing The Twist in Bamako - Trailer - ArtMattan Films 

DANCING THE TWIST IN BAMAKO

The 1960s were a time of change everywhere, and that includes Bamako, the capital city of Mali, a nation only recently independent from French colonial rule.

DANCING THE TWIST IN BAMAKO is a romance fraught with the drama of political change, infused with the musical energy of that decade. Samba, a young, idealistic socialist, works toward creating a more just nation by day and dances with girlfriend Lara to the Beach Boys, Otis Redding, and the Supremes by night.

The film’s sensibility is inspired by the vibrant images, patterns, and compositions of famed Malian photographer, Malick Sidibé. Lara’s orange silk dress and Samba’s dazzling white suit, shot against the striped backdrop of their dance club and the black and white checked dance floor they cut up — all suggest that change is coming rapidly, that life is for living.

by Robert Guédiguian, France / Canada / Senegal, 2021, 129min, Romantic Drama, French with English subtitles.

 

"Inspired by the photographs of Malick SidibéDancing the Twist in Bamako (the screenplay of which was written by Robert Guédiguian and Gilles Taurand) does not claim to moralise or substitute for an African perspective. The film relies on the universality of love stories that defy (at the risk of their lives) traditions and ideologies, to weave a story nourished by simplicity, enthusiasm, and even the touching naivety of youth, against the backdrop of a utopia of class struggle confronted by "realpolitik." A dive into the past, punctuated by a multitude of hits from the early 60s whose fragrance of effervescent happiness is tinged with nostalgia and tragedy, like a challenge to time and the dictates of the mind." ~ Fabien Lemercier, Cineuropa

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AS FAR AS I CAN WALK
AS FAR AS I CAN WALK
AS FAR AS I CAN WALK
AS FAR AS I CAN WALK
AS FAR AS I CAN WALK
AS FAR AS I CAN WALK

AS FAR AS I CAN WALK

Regular price $445.00
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As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.

As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.

22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.

As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.

It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.

By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.

 

It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety

In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF

“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety

The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa

One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict

 

ABOUT THE MAKING OF THE FILM

“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.”  ~ Alisa Simon, Variety

 

WATCH AS FAR AS I CAN WALK IN THEATRES

 

THEATRE  CITY/STATE OPENS
IFC Center New York, NY June 30, 2023

 


 




 




 


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MOTO TAXI / BENDSKINS
MOTO TAXI / BENDSKINS
MOTO TAXI / BENDSKINS
MOTO TAXI / BENDSKINS

MOTO TAXI / BENDSKINS

Regular price $395.00
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MOTO TAXI / BENDSKINS

MOTO TAXI, Narcisse Wandji's first feature film, explores questions and concerns related to the daily life of three Cameroonians, two men and a woman, who manage to make a living working as motorcycle taxis.

Sani, Marie and Franck are three young moto-taxi drivers with unique destinies and stories. Sani has to face Charles, his employer and also father of Samedi, his girlfriend, who is pregnant with his child. Marie, raped five years ago, tries to find Tom, her rapist. And Franck, on his side, must do everything to get rid of the lifeless body of an 8 month old child.

In Moto Taxi, Narcisse Wandji refers both visually and through the dialogues in his film to some important auteurs in African Cinema. Quartier Mozart by Jean-Pierre Bekolo is mentioned casually in a conversation while a Moto Taxi driver explains that the corn on his motorcycle was inspired by Djibril Diop Mambety’s Touki Bouki.

These references reassure the cinephiles looking for cinematic innovation. The question of cultural identity remains at the heart of the auteur’s work while he/she strives to give a universal feel to his/her creation. “ Pierre Patrick Touko.

Directed by Narcisse Wandji, Cameroon, 2021, 90 mins, drama, French (with English subtitles)

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Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA
Sugar Cane Malice / MAL DE CAÑA

Sugar Cane Malice / MAL DE CAÑA

Regular price $395.00
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SUGAR CANE MALICE / MAL DE CAÑA
 
A documentary about the working conditions of Haitian workers in one of the largest sugar cane plantations in the world, located in the Dominican Republic and belonging to the Fanjul Family, one of the most powerful families in America.
 

When Maria’s husband died, she was told to either leave the sugarcane plantation or to work in the only existent job: cutting and planting cane.

She decided to work in exchange for a miserable wage and a rudimentary barrack she and her five children call home. With that, she was accepting a precarious life without electricity, drinkable water and sanitary services. This is how people are stuck in a house provided by the Company, ensuring that no other basic service neither civil rights are provided, maintaining people in a life of misery. The vast extension of a sugarcane plantation in Dominican Republic offers this deal to thousands of Haitian workers. Some struggle to leave – like Maria’s daughter, with few chances of working in a hotel by the coast. Some others are forced to leave – like Leidy and her baby, when her father-in-law retires after 50 years of work. Yet, some others – like Yudelka and Telemin – organize and try to change the miserable situation everyone is living in the cane fields. They are an obstacle that hinders the functioning of the great machine that is the Plantation.

Directed by Juan A. Zapata, Dominican Republic/Spain, 2021, 76min, Documentary, Spanish w/English subtitles

 Sugar Cane Malice is the third film from director [Juan A.] Zapata, a native of the Dominican Republic, who is also an architect and visual artist. Both sensibilities are on display in Sugar Cane Malice, which pays particular attention to the built environment of the workers, and contrasts it through a series of helicopter (or drone) shots with modern construction in the island’s cities and the luxurious beach resorts that are beloved of tourists. He also finds beauty even in the sugar cane fields where these workers labor for the benefits of others. Above all, he respects the dignity of his subjects, who haven’t let their difficult lives become their only story." ~ Sarah Boslaugh

AWARDS

FULL FRAME Documentary Film Festival 2021
Official Competition 

Festival des Libertés 2021
Official Competition 

EATSA Art & Tourism is an International Film Festival 2021
Official Competition 

SOMCINEMA Festival (Spain) 2021
Official Competition 

Architecture Film Festival Rotterdam 2021
Official Competition

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LOIMATA, THE SWEETEST TEARS
LOIMATA, THE SWEETEST TEARS
LOIMATA, THE SWEETEST TEARS
LOIMATA, THE SWEETEST TEARS

LOIMATA, THE SWEETEST TEARS

Regular price $395.00
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With Ema diagnosed with terminal cancer, the Siope family searches for healing by confronting  intergenerational trauma head on and returning to their homeland of Sāmoa.

The redemptive tale of waka builder and captain Lilo Ema Siope’s final years, the stunning LOIMATA, The Sweetest Tears is a chronicle of journeys. Confronting intergenerational trauma head on, the Siope family returns to their homeland of Sāmoa. For Ema’s father, this is his first time back to his birthplace since leaving in 1959. The result is a poignant yet tender story of a family’s unconditional love for each other, and a commitment to becoming whole again.

By Anna Marbrook, New Zealand / Sāmoa. 2021, 94 minutes, Documentary, English & Samoan with English subtitles

"I walked into this film expecting to see a portrait of a world-renowned ship builder, navigator and sailor, undertaking one of the final voyages of her life. And, in a way, that is what Loimata is. But not in the way I was assuming it would be." ~ stuff.co.nz

Themes: First Nation / Women / Sexual Abuse / LGBTQ+ / Family / Healing 

AWARDS:

FIFO (Festival International du Film Documentaire Océanien), 2021 
Grand Prix du Jury 

NZTV Awards, 2021
Best Documentary, Winner
Best Director, Nominee

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Double dvds

MAMA AFRICA: MIRIAM MAKEBA + ACES

MAMA AFRICA: MIRIAM MAKEBA + ACES

Regular price $395.00
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MAMA AFRICA: MIRIAM MAKEBA

DIRECTED BY MIKA KAURISMÄKI
SOUTH AFRICA AND GERMANY / 2011 / ENGLISH / 90 MIN


SYNOPSIS

Mama Africa: Miriam Makeba focuses on the life and influence of the South African singer and civil rights activist, Miriam Makeba. The film's segment concerning her time in the USA is particularly significant, as it showcases her impact on the Civil Rights Movement and her artistic collaborations in the country.

During her time in the United States, Makeba's music and activism became deeply intertwined with the African-American experience. Her marriage to Stokely Carmichael, a prominent figure in the Black Panther Party, marked a crucial period where her artistry and advocacy for African rights gained prominence, but also led to controversy and eventual exile from the USA. The documentary explores how Makeba used her voice not only to enchant American audiences with her music but also to raise awareness about the struggles against apartheid in South Africa, making her a vital cultural and political link between Africa and the African-American community.

DIRECTOR AND CAST

Director: Mika Kaurismäki
Starring: Hugh Masekela
Starring: Angélique Kidjo
Starring: Harry Belafonte
 

GENRES

  • Documentary

 

BONUS FILM

ACES

DIRECTED BY NTANDAZO "DIDI" GCINGCA 
SOUTH AFRICA / 1999 / ENGLISH / 17 MIN


SYNOPSIS

Aces is the story of a young man who fights against the battering of his mother by his drunken father. The situation escalates until Ace desperately stabs his father to death, and is sent to jail for a period of 15 years. Nine years later he is out on parole. He kills again within a day's time of his release.

DIRECTOR AND CAST

Director: Ntandazo "Didi" Gcingca 
GENRE
  • Short Drama


 

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REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM
REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM

REVOLUTIONARY WOMEN: MADE IN BANGLADESH & SHE HAD A DREAM

Regular price $445.00
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MADE IN BANGLADESH

 

Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way.

By Rubaiyat Hossain, Bangladesh/France/Denmark/Portugal, 2019, 95min, social drama, English & Bengali w/English subtitles

WINNER, Public Award Best Film Directed by a Woman of Color ADIFF 2019.

 

SHE HAD A DREAM

She Had a Dream Trailer - ArtMattan Films from ArtMattan Productions on Vimeo.

Ghofrane, 25, is a young Black Tunisian woman. A committed activist who speaks her mind, she embodies Tunisia’s current political upheaval. As a victim of racial discrimination, Ghofrane decides to go into politics.  In its own unique way, this documentary sheds light on the place of women and Black people in Tunisia’s changing society.

By Raja Amari, Tunisia, 2020, 90min, documentary, Arabic and French w/English subtitles.

WINNER, Public Award Best Film Directed by a Woman of Color ADIFF 2021.

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GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2
GREAT AFRICAN FILMS: VOLUME 2

GREAT AFRICAN FILMS: VOLUME 2

Regular price $395.00
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GREAT AFRICAN FILMS, VOLUME 2: Tasuma / Sia, the Dream of the Python -
The second installment in this series of award-winning films from Africa includes Kollo Sanou's Tasuma, the Fighter (2003, 90 minutes, French and Jula with English subtitles), a look at the impact of French colonialism on Africa; Former Senegalese tirailleurs, Burkinabe soldier Sogo Sanou waits patiently for his pension, which he plans to use to build a grain mill for the women of his village; Inspired by the seventh-century myth of the Wagadu people of Western Africa is Dani Kouyate's Sia, the Dream of the Python (2001, 96 minutes, Bambara with English subtitles): To bring back prosperity to his village, a King decides to make a human sacrifice to the mystical snake god; Sia, the most beautiful woman in the village, is chosen for the ritual, but she runs away in revolt. - 186 minutes.

 

TASUMA, THE FIGHTER

Sogo Sanou, a.k.a. Tasuma, is a former French soldier, a part of the African troops better known as “tiralleurs senegalais” who fought in the French wars in Europe and its colonial territories. He was a soldier in the wars of Indochina and Algeria. Although an honored veteran, Tasuma spends decades painfully waiting for his small pension, an amount that in his native Burkina Faso represents a fortune, even though it will equal only a small fraction of the amount paid to his French counterparts.

In a scene that takes us back to another African classic, The Money Order by Ousmane Sembene, Tasuma impulsively buys a treadmill for the women in his village with the money represented by his future pension payment, although he doesn’t know exactly when it will come through.

The money does not arrive, and our hero is in trouble and out of patience. With his old rifle he walks into the pension plan administrator’s office and demands his money. He ends up in jail, and it is up to the women from the village to come down to the city to free Tasuma. Tasuma the Fighter, is a portrait of a bureaucratic adventure that, even 60 years after World War II and 44 years after the independence movement in Africa, is not yet resolved.

As Kollo Daniel Sanou, the director of Tasuma, points out: “The story of Tasuma is also the narration of a historic mismatch, that of the particular status of those former combatants of the African troupes in the French Army.”

|Burkina Faso|2003| 90min | comedy in French/Moore with English subtitles | Daniel Kollo Sanou, Dir. |
Winner Bronze Yennenga Stallion, FESPACO 2005

"Tasuma camouflages its razor-sharp indignation with warmth and disarming grace" ~ VILLAGE VOICE

"Director and writer Kollo Daniel Sanou is in a becalmed, idyllic state of mind, as he leans back and lets this mildly satiric parable unfold." ~ THE NEW YORK TIMES


SIA: THE DREAM OF THE PYTHON

Kombi is a poverty-stricken city dominated by a tyrant king. In order to bring back prosperity, the king is advised by his priests to make the traditional human sacrifice of a young virgin to a mystical snake god. Sia, the most beautiful young woman of the village, has been designated. Lieutenant Mamadi, her fiancé, rebels against the decision to perform this ritual, and the village becomes divided. Struggles and revelations follow as the characters confront issues of honor, corruption and power.

| Burkina Faso/France |2001 | 96min |Epic Drama in Bambara with English subtitles |Dani Kouyaté, Dir. |
Winner “Special Prize of the Jury” FESPACO 2001 - Official Selection Cannes 2001.


“A delightful, pointed fable of religious and political extremism that's extra-relevant at present” ~ Dennis Harvey - VARIETY

 

"Delivers a powerful commentary on how governments lie, no matter who runs them" NEW YORK POST

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GREAT AFRICAN FILMS: VOLUME 5

GREAT AFRICAN FILMS: VOLUME 5

Regular price $395.00
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GREAT AFRICAN FILMS - Vol 5 The fifth installment in this series of award-winning films from Africa includes award winning films A Son (Un Fils) by Mehdi Barsaoui and Wulu by Daouda Coulibaly.

A SON (Un Fils) / Bik Eneich 

An intense family drama starring French-Tunisian actor Sami Bouajila, winner of the Orizzonti Award for Best Actor, Venice Film Festival 2019 and winner of the César Awards, France for Best Actor in 2021.  

11 year old Aziz needs a liver transplant after being seriously injured during a terrorist ambush while on holiday in 2011. At the hospital, a family secret will be revealed.

A drama that expertly captures complex human emotions within their socio-cultural, historical and political context. ~ Hollywood Reporter

Directed By Mehdi Barsaoui / Tunisia/ 2019/ Drama/ Arabic With English Subtitles/ 96 Min


WÙLU

Shot for a good deal of the time using hand-held cameras, WÙLU is an African thriller that has an urgency and a vibrancy most Western made films lack.

Ladji, (a beautifully understated Ibrahim Koma), is the young man who, after losing his job on the cross-border taxis, takes up smuggling cocaine with lucrative if highly dangerous results.

A social commentary about the impact of corruption on intelligent, hard working African youths looking to improve their standard of living at home.

Official Selection TIFF 2016.  Winner Ousmane-Sembene Prize and Best Actor Award for Ibrhim Koma at FESPACO 2017.

Directed by Daouda Coulibaly, 2016, France/Mali, 95min, crime drama, French w/ English subtitles

 

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NIGERIAN TALES: THE LAST TREE & GLORIOUS EXIT

NIGERIAN TALES: THE LAST TREE & GLORIOUS EXIT

Regular price $395.00
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THE LAST TREE tells the compelling coming-of-age story of a Black British boy of Nigerian descent in London.  In GLORIOUS EXIT Jarreth Merz, a Swiss-Nigerian actor living in Los Angeles, is summoned to Nigeria to bury his father.

THE LAST TREE

Femi, a British boy of Nigerian descent who, after a happy childhood in rural Lincolnshire with his white foster mother, moves to inner London to live with his Nigerian mum.

Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take, and what it means to be a young black man in London.

Going back home to Nigeria with his mum to find his Nigerian roots will help adolescent Femi find grounding and hope for a better future.

Directed by Shola Amoo, 2019, UK, 98 min, drama, English.

 

Second film in DVD:

GLORIOUS EXIT

Jarreth Merz, a Swiss-Nigerian actor living in Los Angeles, is summoned to Nigeria to bury his father. Nigerian tradition mandates the eldest child to take charge of a father’s burial. Although he accepts the responsibility, he struggles with why he feels morally responsible toward Nigerian tradition and a family whom he hardly knows. Jarreth starts a journey of self-discovery.

Directed by Kevin Merz, 2005, Nigeria/Switzerland, 75 min, drama, English and German with English subtitles

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BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS
BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS

BLACK MEXICAN / LA NEGRADA & THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS

Regular price $395.00
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Two films that explore the life of black people in Latin America.  BLACK MEXICAN / LA NEGRADA is the first Mexican feature film about the Afro-Mexican community, THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS is a documentary about Afro-Chilean struggle to organize the first African census in the history of Chile.

 

BLACK MEXICANS / LA NEGRADA

Black Mexicans Trailer Eng Sub - ArtMattan Films from ArtMattan Productions on Vimeo.

DIRECTED BY JORGE PEREZ SOLANO
MEXICO/ 2018/ 104 MIN / DRAMA  IN SPANISH WITH ENGLISH


SYNOPSIS

 

Black Mexicans (La Negrada) is the first Mexican feature film about the Afro-Mexican community, filmed entirely with people from different towns around the Costa Chica in Oaxaca.

Neri, a fisherman, splits his time between two women: his wife Juanita with whom he has a daughter and his lover Magdalena, mother of three additional children. Things are about to change for Neri as Juanita falls gravely ill and Magdalena prepares to take her place.

Shot entirely in the beautiful beaches of Corralera in Oaxaca and featuring a cast of non-professional actors from the nearby communities, Black Mexicans explores the social mores of and the discrimination faced by Mexico’s little known black community.


THE VALLEY OF THE BLACK DESCENDANTS / EL VALLE DE LOS NEGROS

 

In the Azapa Valley (Chile), an oasis in the driest desert in the world, a group of descendants of enslaved men and women brought from Africa are organizing the first African census in the history of Chile. Their aim is to get official recognition from the State that has concealed their culture and African identity for more than 200 years.

Directed by  Ric.hard Salgado, Chile, 2017, 52 min, documentary, Spanish with English subtitle.

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RACE AND IMMIGRATION IN EUROPE
RACE AND IMMIGRATION IN EUROPE
RACE AND IMMIGRATION IN EUROPE
RACE AND IMMIGRATION IN EUROPE
RACE AND IMMIGRATION IN EUROPE
RACE AND IMMIGRATION IN EUROPE

RACE AND IMMIGRATION IN EUROPE

Regular price $295.00
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RACE AND IMMIGRATION IN EUROPE with BORDERS andTHE GLASS CEILING
Two films connecting Africa and Europe: Borders about the life of those Africans trying to slip illegally into Europe in search of a better life and The Glass Ceiling depicting stories of some of the challenges faced by European born children of African immigrants.

BORDERS

The story of Six men and a woman set out on the hazardous journey from Senegal to Morocco in a bid to slip illegally into Europe to escape from the poverty and internecine warfare of Africa. All are lured by the promise of a better life, but the challenges are numerous.
France/Algeria, 2002, 102 min, Drama, French with English subtitles, Mostefa Djadjam, dir.

THE GLASS CEILING

Europe’s racial make-up is quickly changing. French-Algerian filmmaker Yamina Benguigui is hoping to start a conversation about affirmative action - a policy that does not exist in France today. Benguigui’s Le Plafond de Verre / The Glass Ceiling presents a series of sometimes very emotional first-hand accounts of discrimination against mostly black and North African Arab who are trying to find jobs. The documentary offers poignant and revealing accounts of discrimination faced by these full-fledged French citizens who are also children of immigrant parents.
France, 2004, 90 min, documentary, French with English subtitles, Yamina Benguigui, dir.
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VOICES OF THE NEW SOUTH AFRICA

VOICES OF THE NEW SOUTH AFRICA

Regular price $295.00
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From the new South Africa comes this double feature focusing on the struggle of Black South Africans - both those who lived in exile and those who stayed home - to find their place in their country after apartheid.

 

 

NOTHING BUT THE TRUTH

Nothing But the Truth (John Kani, 2008, 78 mins.), which is based on the award-winning, long-running play by director and actor John Kani, explores the complex dynamic between those who risked their lives to remain in South Africa to end apartheid and those who lived in exile to bring attention to the cause. In New Brighton, librarian Sipho Makhaya prepares for the return of his brother’s ashes. His brother had gained a reputation as a hero of the anti-apartheid movement while Sipho spent most of his life on the front lines.

 

HOMECOMING 

Homecoming (Norman Maake, 2005, 90 mins.), a film version of the hit mini-series, follows three veteran soldiers of the African National Congress who return to South Africa after years in exile to pick up the pieces of their lives and careers. Charlie wants to open a club; Thabo struggles to reacquaint himself with his wife and family; and Peter remains in politics to uncover the hard truths about those who betrayed the ANC. In English.

John Kani/Norman Maake---South Africa---2008/2005---168 mins.

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RACE & HISTORY IN BRAZIL

RACE & HISTORY IN BRAZIL

Regular price $295.00
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Race and its impact on the art and history of Brazil are highlighted in this two-disc set with Joel Zito Araujo's documentary Denying Brazil (A Negacao do Brasil, 92 mins) and Geraldo Santos Pereira's Aleijadinho: Passion, Glory and Torment (Aleijadinho: Paixao, Gloria e Suplicio, 100 mins.)

 

 


Denying Brazil

A Negacao do Brasil


A documentary film about the taboos, stereotypes, and struggles of Black actors in Brazilian television "soaps." Based on his own memories and on a sturdy body of research evidence, the director analyzes race relations in Brazilian soap operas, calling attention to their likely influence on Black people's identity-forming processes

 

 

Aleijadinho: Passion, Glory and Torment
Aleijadinho: Paixao, Gloria e Suplicio

Set in 18th century Brazil - a time when slavery was still the foundation of the Latin American economy - this fascinating historical drama is loosely based on the life of Black sculptor Antonio Francisco Lisboa "Aleijadinho," one of the greatest sculptors of Latin America.
“[DENYING BRAZIL is] a strong and significant work of intelligence."
– Phil Hall, FILM THREAT

“[Aleijadinho is an] ambitious biopic of 18th century black Brazilian sculptor/architect Antonio Francisco Lisboa (aka Aleijadinho).”
– Ronnie Scheib, VARIETY

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Mali in the 60s: A Cultural Revolution

Mali in the 60s: A Cultural Revolution

Regular price $395.00
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DANCING THE TWIST IN BAMAKO 

DANCING THE TWIST IN BAMAKO is a romance fraught with the drama of political change and infused with the musical energy of the 60s in Mali, only recently independent from French colonial rule. Samba, a young, idealistic socialist, works toward creating a more just nation by day and dances with girlfriend Lara to the Beach Boys, Otis Redding, and the Supremes by night.

by Robert Guédiguian, France / Canada / Senegal, 2021, 129min, Romantic Drama, French with English subtitles.

 

THE MALI CUBA CONNECTION

In the midst of the Cold War, ten young promising musicians from Mali are sent to Cuba to study music and strengthen cultural links between the two socialist countries. Combining Malian and Afro-Cuban influences, they develop a revolutionary new sound and become the iconic ensemble ‘Las Maravillas de Mali’. 

By Edouard Salier and Richard Minier, France/Cuba/Mali, 2020, 81 mins, Documentary, Spanish, French with English subtitles.

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MUSIC PICTURES: NEW ORLEANS & MARY LOU WILLIAMS, THE LADY WHO SWINGS THE BAND

MUSIC PICTURES: NEW ORLEANS & MARY LOU WILLIAMS, THE LADY WHO SWINGS THE BAND

Regular price $395.00
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Experience the essence of jazz and blues in two captivating documentaries! Music Pictures: New Orleans by Ben Chace features legends like Irma Thomas and Ellis Marsalis, while Mary Lou Williams: The Lady Who Swings the Band by Carol Bash delves into the life of the groundbreaking Mary Lou Williams.

Music Pictures: New Orlean Trailer Art from ArtMattan Productions on Vimeo.

MUSIC PICTURES: NEW ORLEANS

Music Pictures: New Orleans gives us legacy portraits and a rare backstage access into the lives and craft of four New Orleans music legends: Grammy-winning vocalist known as “The Soul Queen of New Orleans” Irma ThomasLittle Freddie King, one of the last original bluesmen who at the age of 81 still performs live; the world renowned Tremé Brass Band, a fixture in the New Orleans jazz community; and Ellis Marsalis - father of internationally acclaimed musician, composer and bandleader Wynton Marsalis - the patriarch of the famed jazz family who helped found the modern jazz scene in the 1950s. 

Directed by Ben Chace, 2022, USA, 72 Min, Documentary, English

MARY LOU WILLIAMS TRAILER from ArtMattan Productions on Vimeo.

MARY LOU WILLIAMS: THE LADY WHO SWINGS THE BAND

She was ahead of her time, a genius. During an era when Jazz was the nation's popular music, Mary Lou Williams was one of its greatest innovators. As both a pianist and composer, she was a font of daring and creativity who helped shape the sound of 20th century America. And like the dynamic, turbulent nation in which she lived, Williams seemed to redefine herself with every passing decade.

Directed by Carol Bash, 2015, USA, 70 min, Documentary, English

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AFRO-LATINO EXPERIENCE: ECUADOR & PERU

AFRO-LATINO EXPERIENCE: ECUADOR & PERU

Regular price $395.00
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THE ESMERALDAS BEACH 

In today’s Ecuador, the black population, the descendants of enslaved Africans, continue to experience strong racial and social discrimination. Yet people in the community still strive to value their specific culture and transmit the rebellious memory of their ancestors who fought for freedom. The Es­meraldas Beach sets out to expose the invisibility of Afro-Ecuadorians and rectify the narrative of the country’s history with the film’s central protagonist, Juan García, who has worked on that project for years. He developed a school book that presents black Ecuadorians prominently since the only Afro-descendants shown in local school books are portrayed next to a marimba and football.  The documentary also addresses the 1999 assassination of Prime Minister Jaime Hurtado, the first Black to hold this office.

Directed by Patrice Raynal, 2020, France/Ecuador, 58 minutes, documentary, French and Spanish with English subtitles.

 

SUSANA BACA: MEMORIA VIVA

Susana Baca is not only a champion in the performance and preservation of Afro-Peruvian heritage, but also an elegant singer whose shimmering voice sings of love, loss and life. Susana and her husband Ricardo Pereira have founded the Instituto Negrocontinuo “Black Continuum” in Lima, a spirited facility for the exploration, expression, and creation of Black Peruvian culture. While Baca has dedicated herself to researching and performing virtually all forms of Afro-Peruvian folklore, it is the Lando that has become her trademark. This slow to mid-tempo, highly evocative mix of Spanish, Indigenous and African rhythms has become what the son is to Cuba, or the samba to Brazil--the Lando is the sound of Black Peru.

Directed by Marc Dixon, 2003, Peru/Belgium, 54 minutes, documentary, English & Spanish with English subtitles.

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African Mothers with Seasons of a Life & Joy

African Mothers with Seasons of a Life & Joy

Regular price $295.00
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AFRICAN MOTHERS

Two films that explore the commitment of motherhood by looking at the life of two African women, in "Seasons of Life," a housemaid, who is sexually abused is forced to give up her child but comes back for him years later, in "Joy" A Nigerian mother living in the USA struggles to convince her traditionalist husband not to circumcise their ten-year-old daughter.

 

SEASONS OF A LIFE

A housemaid, who is sexually abused by her boss and made pregnant, is forced to give up her son in order to go on with her education. Six years later she comes back to claim her son. From Malawi comes this moving story about sexual abuse, women rights and the legal justice system in Malawi. This film tackles universal themes in an African setting giving an understanding of some of the modernization and democratization processes in Africa.

Directed by C. Shemu Joyah, Malawi, 2008, 102 min, Fiction in English.

 

 

JOY

A Nigerian mother living in the USA struggles to convince her traditionalist husband not to circumcise their ten-year-old daughter. This short film explores the clash of cultures in a modern society.

Directed by Solomon Onita Jr., USA, 2017, 15 min, Short Fiction in English.

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Stories in Exile: The Citizen & Black Dju

Stories in Exile: The Citizen & Black Dju

Regular price $295.00
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STORIES IN EXILE: THE CITIZEN & BLACK DJU: Two fiction films that explore life in exile. Set in Hungary, THE CITIZEN follows Guinea-Bissau political refugee Wilson. BLACK DJU is a drama set in Luxembourg about a young man from Cape Verde looking for his father.

THE CITIZEN

In his late fifties Wilson, whose family was killed during an outbreak of civil war in Guinea-Bissau, enters Europe as a political refugee and settles for a sedate life as a security guard in a Budapest shopping center. Wilson's main desire is to acquire Hungarian citizenship. The story follows Wilson as he attempts to find his place in Hungarian society in his daily life, at work, with Mari, a history teacher who helps him study for the citizenship and Shirin, a young Iranian woman whose only hope to avoid deportation is to marry a Hungarian citizen. The Citizen is an Award-winning drama that poignantly dwells on some of the most complex issues of contemporary modern European society.

Directed by Roland Vranik | Hungary | 2018 | Drama | 109 min


BLACK DJU

From the sea and sun of the Cape Verde Island, it's a very big step to rainy, gloomy, land-locked Luxembourg, but that's the journey 20-year-old Dju Dele Dibonga must take to track down his dad, whose yearly visits and monthly guest worker checks have stopped. But it's not just the weather that's not welcoming, Dju also has to face overzealous immigration cops intent on filling deportation quotas and the noisy outrage of a hard-boozing police lieutenant (veteran actor Philippe Léotard). Dad's trail looks cold, until lieutenant decides to join in the hunt and to become Dju's partner in this tale of love and friendship. With the exceptional participation of Cape Verdian singer Cesaria Evora as Dju's mother and Manu Dibango as himself.

Directed By Pol Cruchten / Cape Verde And Luxembourg / 1997 / Portuguese & French With English Subtitles / 80 Min

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African Tales: Tazzeka & Bilatena: The Golden Child

African Tales: Tazzeka & Bilatena: The Golden Child

Regular price $295.00
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Double DVD with Two African Stories: TAZZEKA (Morocco) & BILATENA: THE GOLDEN CHILD (Ethiopia)

TAZZEKA 

Growing up in the Moroccan village of Tazzeka, Elias learned the secrets of traditional Moroccan cuisine from his grandmother who raised him. Years later, meeting a top Paris chef and a young woman named Salma inspires him to leave home.

Directed By Jean-Philippe Gaud / France and Morocco / 2018 / French, Arabic wEnglish Subtitles / 95 min

 

BILATENA, THE GOLDEN CHILD


Abi, a dynamic and resourceful twelve year old boy, lives with his mother Degua and his 26 year old university graduate unemployed brother Zelalem (Zele). Abi, who is a a hyper-industrious hard working 12-year-old boy with two jobs, supports his poor mother and his older unemployed brother through their day to day lives.

But when their mother dies of Hepatitis B and Abi is also infected with the virus, Zele must face the big challenge of supporting his own life and keeping his younger brother alive by earning the 20,000 Ethiopian birr per month needed for his brother's medication.

Directed by Kinfe Banbu, 2014 | Ethiopia | Drama | 105 min | Amharic w/ English subtitles

 

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African Women Behind The Camera

African Women Behind The Camera

Regular price $295.00
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The African Women Behind The Camera double DVD highlights the work of two very different contemporary African women filmmakers:

2 Weeks in Lagos by Nigerian director Kathryn Fasegha is a socially conscious Christian based romantic comedy drama set in upper class Lagos, Nigeria.

Childhood Destroyed by Chadian director and journalist ZARA M. YACOUB is a short fiction film that denounces the living conditions of young girls in Chad in a delicate yet powerful way.

 

2 WEEKS IN LAGOS

 2 Weeks in Lagos is a turbulent and thrilling journey into the lives of Ejikeme and Lola. Their lives collide when investment banker Ejikeme comes home to Nigeria from the US with Lola’s brother Charlie and falls in love with her. He must then defy his parents’ plan to marry him to the daughter of a wealthy politician.

2 Weeks in Lagos captures the excitement, vibrancy, and complexity of everyday life in Lagos, a dynamic city where anything is possible in 2 Weeks.

Directed by Kathryn Fasegha | CANADA, NIGERIA | COMEDY, ROMANCE | ENGLISH | 2019 | 115 MINS

 

CHILDHOOD DESTROYED

Eleven year old Mariam works as a domestic to provide for her guardian, her unemployed Uncle Djimet, and his family. Mariam wakes up early each day to go to work as an all-purpose maid, housekeeper, cook and baby sitter for the Nadji family. With her many tasks, she is constantly under pressure from Nadji and his son Moussa, and must answer to the whims of his wife, and young children. One day, Mariam is arrested for having unwittingly thrown rubbish in a prohibited place. She is detained for five days in prison without her uncle or employer even inquiring of her whereabouts.
Zara M. Yacoub / Chad / 1999 / 26 Min / Arabic Dialect w/ English Subtitles

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STORIES FROM 2 ISLANDS: PUERTO RICO & MAURITIUS

STORIES FROM 2 ISLANDS: PUERTO RICO & MAURITIUS

Regular price $395.00
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Two coming of age stories that explore the life of 2 young women on 2 islands.

Set in Puerto Rico, ANGÉLICA is a drama about a young Afro- Latino woman who must fight to find her voice.

THE CATHEDRAL, from Mauritius, follows free spirited Lina as she faces an important decision that will impact her life.




ANGÉLICA

Angélica, after a long absence from Puerto Rico, returns home when her father, Wilfredo, suffers a stroke. This unexpected return and her father’s illness force Angelica to re-evaluate her relationship with her mother and family members who don’t accept her because of her skin color. She must face herself and discovers that she does not know who she is. After her father’s death, Angelica must decide whether to return to the comfort of her previous life, dissatisfied, but secure, or set on an adventurous path to rediscover herself as an independent, modern, strong, black, and Puerto Rican woman.

Directed by Marisol Gómez-Mouakad, Puerto Rico, 2016, 100min, Drama, English & Spanish w/English subtitles

 

THE CATHEDRAL

The Cathedral is a lyrical narration set in the beautiful and unusual setting of Port-Louis,   capital of Mauritius. Lina, a young woman in search of her identity interacts daily with friends and family in a carefree happy manner that will be challenged when one day her dancing    catches the eye of a photographer... The Cathedral is based on a short story by Ananda Devi.

Directed By Harrikrisna Anenden , Mauritius, 2006, 78 Min, drama in Creole With English Subtitles. 

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AFRICAN IMMIGRANTS IN EUROPE:  OTOMO & WAALO FENDO

AFRICAN IMMIGRANTS IN EUROPE: OTOMO & WAALO FENDO

Regular price $395.00
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OTOMO

A powerful film portraying institutionalized racism and police brutality, Otomo provides a convincing look at the everyday world of refugees, who are continuously surrounded by tension and insecurity.

In the summer of 1989, a Stuttgart newspaper reported the true story of a West African asylum seeker who physically assaulted an intolerant subway ticket-taker; fled, and became the target of a city-wide manhunt. Otomo is a sober, fictionalized reconstruction of a tale that shocked Stuttgart, and a gripping portrait of how institutionalized racism drives a disempowered individual to violence and inhumanity.

West African immigrant Frederic Otomo (Isaach de Bankole) lacks the proper papers to be hired for the most menial of jobs; he has survived for eight years with the help of a Catholic charity. Otomo is the target of verbal abuse, is thrown out of his boarding house, and even scorned by neighborhood dogs. He feels and looks out of place. A stoic bubbling pot of wrath on the run, de Bankole's performance establishes Otomo's essence without words-language cannot express the gravity of his situation. As a ticking soundtrack counts down his fated minutes, Otomo is helped by a kind, aging hippie and her granddaughter, establishing the potential for an inclusive German society….if it is not too late...

|Germany|1999|84 mins|drama|German with English subtitles|Frieder Schlaich, dir.|

"I was impressed by the decision to make Otomo a bit of an anti-hero, seeming aware that in desperate times, good people may say or do things outside the norm." -- Greg Dean Schmitz, Greg's previews at Yahoo!Movies

"Documents the institutionalized racism and xenophobia that painted one man into a corner, while never excusing the terrible means by which he took his final escape." -- Jessica Winter, Village Voice

"Much of the sense of size in this account of an immigrant worker, who is only one among many thousands in Germany, comes from the performance by Isaach de Bankole." -- Stanley Kauffmann, New Republic

 


WAALO FENDO: WHERE THE EARTH FREEZES

Senegal / Switzerland, 1998, 65 mins, drama in Wolof and Italian with English subtitles, Mohammed Soudani, dir.

Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy. It is a story of immigration like so many others but that most people are unaware of. Waalo Fendo illustrates the dehumanization faced by so many immigrants all over the world.

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BLACK & LATINO

BLACK & LATINO

Regular price $345.00
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Two films that  explore the Black & Latino experience.

Set in the USA, INVISIBLE COLOR: AFRO-CUBANS IN MIAMI is a documentary about the history and  living experience of Afro-Cubans in Miami.



MESTIZO is a drama set in 1940 Venezuela about the conflicted identity of José Vargas, the  illegitimate son of a white colonial administrator and a poor black  fisher-woman.

INVISIBLE COLOR:  AFRO-CUBANS IN MIAMI

This latest documentary by the Dean of Afro-Cuban Cinema, Sergio Giral, investigates the black Cuban exile community in South Florida, since the first wave of political refugees in the 1959 revolutionary aftermath, to today. It tracks its presence throughout the region, and highlights its contribution to Miami’s civic culture through testimonies and visual documentation.

Directed by Sergio Giral / 2017 / USA / Cuba / English and Spanish with English subtitles / 47 min.

MESTIZO

The action takes place in a village on the Venezuelan coast, a place of fishermen and big haciendas. Jose Ramon, son of a white aristocrat and a humble black fisher-women, is trying to  define his own identity while dealing with social and sexual conflicts, power, culture, the law, and the impossible relationship he has with both his parents.

Directed by Mario Handler / 1989 / Venezuela / Spanish with English  subtitles / 82 Min.

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RASTAS & MAROONS

RASTAS & MAROONS

Regular price $395.00
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RASTAS & MAROONS is a 2-DVD set featuring The First Rasta (Jamaica/France) a revealing documentary about Leonard Percival Howell, the man who created the Rasta Movement and Aluku Liba, Maroon Again  (French Guiana/Canada), a rare docu-drama about the Aluku or Boni, a Maroon ethnic group living mainly on the riverbank in Maripasoula, southwest French Guiana.

THE FIRST RASTA
Thirty years after Bob Marley's death, it is time to pay tribute to Leonard Percival Howell, The First Rasta. At the beginning of the last century, the young Leonard Percival Howell (1893- 1981) left Jamaica, became a sailor and traveled the world. On his way, he chanced upon all the ideas that stirred his time. From Bolshevism to New Thought, from Gandhi to Anarchism, from Garveyism to psychoanalysis, he sought to find his promised land. With this cocktail of ideas Leonard "Gong" Howell returned to Jamaica and founded Pinnacle, the first Rasta community.

Going far beyond the standard imagery of Rasta - ganja, reggae, and dreadlocks -this cultural history offers an uncensored vision of a movement with complex roots and the exceptional journey of a man who taught an enslaved people how to be proud and impose their culture on the world. In the 1920s, Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.

Directed by Helene Lee, 2011, 90 min, France/Jamaica, Doc, English

ALUKU LIBA, MAROON AGAIN

Maroons are free Africans who escaped slavery in the Caribbean, Central, South and North America, and formed independent settlements.

Aluku Liba: Maroon Again is a rare docu-drama about the Aluku or Boni, a Maroon ethnic group living mainly on the riverbank in Maripasoula, southwest French Guiana.

The film follows Loeti who has spent years away from his village in French Guiana, working in extreme conditions. When the army cracks down on illegal gold mining in the Amazon forest, he is forced to flee and must use the skills he learned as a child to survive in the forest. His only hope is to find his way home to his people and reclaim his Maroon past and culture.

Directed by Nicolas Jolliet, 2009, 90 min, Canada/French Guiana/Suriname, Docu-Drama

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KING BEHIND THE CAMERA

KING BEHIND THE CAMERA

Regular price $295.00
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KING AMPAW is a Germany trained Ghanaian filmmaker whose work has gained international recognition. Kukurantumi, The Road to Accra, winner Film Critics Award, FESPACO 1985, is one of two feature films - with No Time to Die - in this double set DVD "A KING BEHIND THE CAMERA" that offers a good-humored depiction of life in modern Ghana.

 

KUKURANTUMI: THE ROAD TO ACCRA 

DIRECTED BY KING AMPAW 
GHANA / 1983 / ENGLISH / 95 MIN
https://www.youtube.com/watch?v=FFPNW_2tZuE

SYNOPSIS

In this revealing African comedy-drama that contrasts the hectic life in Accra, the capital of Ghana, with the relative peace of Kukurantumi, a rural town, a truck driver makes runs between the two locations with few problems until he is forced to replace his truck. In order to raise the money to get a new vehicle, he sells some stolen watches and promises his daughter in marriage to a rich merchant. Rebelling against this fate, the daughter runs off to Accra with her boyfriend -- but then nothing turns out quite like she had planned, and the rich merchant looks better with each passing day.

 

DIRECTOR AND CAST

Director: King Ampaw
Starring: Evans Oma
Starring: Amy Appiah
Starring: David Dontoh
 

GENRES

  • Drama and Comedy

NO TIME TO DIE 

DIRECTED BY KING AMPAW
GHANA AND WEST GERMANY / 2006 / ENGLISH / 95 MIN


SYNOPSIS

Death and funeral traditions play a significant role in African culture. No Time to Die is director King Ampaw’s contribution to passing the tradition onto the next generation.

A hearse driver meets and falls in love with a young, beautiful dancer who is planning an elaborate homegoing celebration for her mother. This love and comedy feature length film follows David as he does everything to win her affection.

DIRECTOR AND CAST

Director: Nick Hughes
Starring: Fritz Baffour
Starring: Kofi Bucknor
Starring: Agnes Dapaa
 

GENRES

  • Drama and Romantic Comedy 
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STORIES OF POST-COLONIALISM

STORIES OF POST-COLONIALISM

Regular price $395.00
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STORIES OF POST-COLONIALISM is a double DVD that is a source of information, reflection, retrospective and critical thinking regarding the presence of foreign powers on the continent and what that entails for the general population as very well illustrated in THE BIG BANANA. In the nation building process, governments have to face a multiplicity of tasks to build the countries' economic, educational, health, and justice systems, to name a few. CELL 512 illustrates the challenges of building a democratic society in a new nation.

THE BIG BANANA

Banned in Cameroon,The Big Banana illustrates the poor working conditions in banana plantations and exposes the adverse impact on the people of a corporatocracy government that affords super profits for corporations at the expense of the local population.

The Big Banana outlines land grabbing tactics by company Plantation du Haut Penja (PHP) and the ensuing devastation for communities: poverty, pollution, and sickness from pesticides. Bieleu, who spent two years filming residents in the remote countryside of Cameroon also features local cooperatives resisting the devastation through business alliances with fair trade organizations.

By Franck Bieleu, Cameroon, 2011, 85min, Documentary in French with English subtitles.

 

CELL 512

A spoiled young man makes a bet with his friends: riding a motorbike at a brisk pace without brakes or lights for a week, without being worried. He will be hit by Honorine, a woman driving her car. She will end up in jail. Should corruption, rape and denial of justice be the lot of those without financial means to defend themselves?

By Missa Hebie, 2015, Burkina Faso, Drama, 99 min, French w/ English subtitles.

 

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STAND DOWN SOLDIER + DESIREE

STAND DOWN SOLDIER + DESIREE

Regular price $295.00
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STAND DOWN SOLDIER

Stand Down Soldier, directed by Jeryl Prescott, is a compelling narrative that delves into the complex realities faced by African American women in the military. The film follows the journey of Sergeant Stacy Armstrong as she returns home from multiple deployments in Iraq and Afghanistan, battling the invisible wounds of Post-Traumatic Stress Disorder (PTSD). The film adeptly portrays the struggles of reintegrating into society, family life, and finding a sense of normalcy after the life-altering experiences of war and adds another layer to Sergeant Armstrong’s challenges by addressing the unique trauma associated with being a woman in the military. It explores the difficulties she faces in a predominantly male environment, including gender-based discrimination and the additional mental health stresses that arise from such experiences.

Stand Down Soldier not only highlights the personal battles of Sergeant Armstrong but also sheds light on broader themes such as the mental health issues faced by women veterans, the lack of adequate support systems, and the specific experiences of African American soldiers. It is a poignant reflection on the sacrifices and unseen scars of war, emphasizing the need for greater understanding and support for veterans' mental health.

As Sergeant Armstrong struggles with the transition back to civilian life, the film portrays her battle against not only the trauma of combat but also the internal conflicts stemming from her experiences as a female soldier. These experiences include navigating a system that often lacks sufficient support for the specific needs of women veterans.

This film is particularly relevant for discussions in Africana and Women Studies for its exploration of intersecting themes of race, gender, and military service. It provides a unique perspective on the African American military experience, particularly focusing on the often-overlooked narratives of women veterans. This film is a poignant reminder of the need for greater awareness and support for all veterans, especially those facing compounded challenges due to their gender and race.

Writer, director, producer, and lead actress in Stand Down Soldier, Jeryl Prescott - an actress best known for her portrayal of Jacqui in The Walking Dead - started writing the award-winning script for Stand Down Soldier after conversations with female family members and friends from her home state of SC who served in Afghanistan and Iraq.

 “It was both revelatory and refreshing to see that a film about a soldier’s return home from active duty in Iraq is focused on a woman.”  ~ Highbrow Magazine
Read Full Review HERE

DIRECTED BY JERYL PRESCOTT
U.S.A. / 2015 / ENGLISH / 82 MIN
DIRECTOR AND CAST

Director: Jeryl Prescott
Starring: Jeryl Prescott
Starring: Maria Russell
Starring: Harry Lennix
 

GENRES

  • Drama 


DESIREÉ

Set in Brooklyn, New York this Dutch film is based on a true story that appeared on a New York newspaper in 1980.

Desirée lives in the past. A series of flashbacks expose us to her psychologically troubled childhood very much affected by a promiscous mother. Her present life evolves around three people: her employer Mrs. Resnick, Freddy, her lover and Father Siego, leader of the church "The True Confessors".

Desirée's relationship with each one of these characters is at the origin of her falling apart. Freddy is an insecure black man who finishes their love affair with a sad note, Father Siego is the leader of a rigid narrow-minded religious sect and Mrs Resnick is a racist, prejudiced white woman who feels black people are inferior and incapable of living their own live.

Rejected by all because of her pregnancy, Desirée blames her child as the source of evil. She is then possessed by evil and wants to exorcise it. The only way is to get rid of her daughter... 

DIRECTED BY FELIX DE ROOY 
NETHERLANDS AND USA / 1984 / ENGLISH SUBTITLES / 96 MIN
DIRECTOR AND CAST

Director: Felix de Rooy

 

GENRES

  • Drama 
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The Tracker

THE TRACKER + GULPILIL: ONE RED BLOOD

Regular price $445.00
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The Tracker trailer from ArtMattan Productions on Vimeo.

THE TRACKER 

DIRECTED BY ROLF DE HEER
AUSTRALIA / 2002 / ENGLISH, WARLPIRI AND ANMATYERE WITH ENGLISH SUBTITLES / 98 MIN

SYNOPSIS

The year is 1922 and The Tracker (David Gulpilil, Walkabout, Rabbit-Proof Fence) has the job of pursuing The Fugitive - an aborigine who is suspected of murdering a white woman - as he leads three mounted policemen: The Fanatic, The Follower and also The Veteran across the outback.

The Tracker, a mysterious and enigmatic figure whose true character remains unknown, assists them in their quest. As they move deeper into the bush and further away from civilization, the toxic forces of paranoia and violence begin to escalate, stirring up questions of what is black and what is white and who is leading whom. Their journey becomes an acrimonious and murderous trek that shifts power from one man to another, challenged by the indigenous people they come across as well as each other.

DIRECTOR AND CAST

Director: Rolf de Heer
Starring: David Gulpilil
Starring: Gary Sweet
Starring: Damon Gameau
 

GENRES

  • Epic Drama 
  • DVD also includes Bonus Documentary Gulpilil: One Red Blood

BONUS FILM

GULPILIL: ONE RED BLOOD 

DIRECTED BY DARLENE JOHNSON 
AUSTRALIA / 2003 / ENGLISH / 56 MIN


SYNOPSIS

Legendary Aboriginal actor and Australian icon David Gulpilil's life has been one of dueling lifestyles, with his jet-setting movie star life on a completely different plane from his life as an Aboriginal village elder, and director Darlene Johnson manages to capture intimate details from both lifestyles in her 2003 biographical documentary Gulpilil: One Red Blood. At the age of 17, Gulpilil made history as the first Aboriginal actor to appear on film -- in Nicolas Roeg's 1971 Walkabout -- which, in turn, led to an historic acting career that culminated in his receiving numerous awards and an Order of Australia medal. All the while, Gulpilil remained true to his culture by accepting his tribal responsibilities, which include living in a primitive house and procuring his household's daily food and water. As Johnson films a number of very candid encounters with the actor in both settings -- David lives in a tent shed and is quite open about the lack of facilities in his abode and the exploitation he’s experienced during his career -- she documents the class differences that still exist between the indigenous population of Australia versus the relatively new white population.


DIRECTOR AND CAST

Director: Darlene Johnson
Starring: David Gulpilil
Starring: Rolf de Heer
Starring: Phillip Noyce
 

GENRES

    • Documentary
    • DVD also includes feature film The Tracker

 

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