“The Wall Street Boy, Kipkemboi has a strong socially conscious subtext as the village youth becomes a political prisoner. The film also is very positive about the role of women as strong equals." ~ Ed Rampell, The Progressive Populist
ARTMATTAN FILMS LATEST RELEASES
BREAKING BOUNDARIES is a feature-length documentary that focuses on the journey of black Californian teenager, Nastasya Generalova, as she attempts to become the first African-American from the USA to compete in the 2020 Olympic Games in the traditionally white sport of rhythmic gymnastics.
"The Surinamese-Dutch Leuwsha (born in Amsterdam, living in Suriname since 1996) uses the life story of her grandmother Fancelyne 'Fansi' Cummings (1905-1979) in her film to show the special historical development that the country underwent in the last century." ~ One World Netherlands
New Releases - Institutional DVD / DSL
CITIZEN KWAME
“Citizen Kwame” is a Kafkaesque film about travel visas and brain drain in Africa. It tells the story of Kwame, an ambitious African man who wants to travel outside his country. However, he must first obtain a visa from a white Western gatekeeper who controls movements in and out of the house. It is only with the help of a newly acquired white Western girlfriend that he succeeds.
“This film explores universal themes such as freedom of movement, family and friendship, in a way that is meant to make the audience reflect on them," ~ Yuhi Amuli
Rwanda, 2023, 81 mins, drama in English, Yuhi Amuli, dir.
Official Selection ACID Cannes Film Festival 2023!
Nome is a historical drama directed by Sana Na N'Hada and written by Virgílio Almeida and Olivier Marboeuf. The story takes place in Guinea-Bissau in 1969, during the war of independence between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea.
The protagonist, Nome, leaves his village and joins the ranks of the guerrillas. After years of struggle, he returns to his village as a hero. However, the initial joy soon gives way to bitterness and cynicism.
By Sana Na N'Hada, Guinea-Bissau/France/Portugal/Angola, 2023, 117min, Drama, Portuguese w/ English subtitles
"Nome is a film over 50 years in the making. In the late 60s, revolutionary Bissau-Guinean Marxist leader Amílcar Cabral sent filmmakers Sana na N’Hada, Flora Gomes, Josefina Lopes Crato and José Bolama to Cuba. To help change international public opinion against the Portuguese colonial regime, they returned to the country to document the struggle. This archive footage forms the basis for the fiction Nome, N’hada following its eponymous character as he joins the resistance movement.
Perhaps Cabral, had he lived to see this movie (assassinated in 1973), would be disappointed, as Na N’hada, returning to one of his first filmmaking projects, complicates a simple resister narrative into a more complex tale of post-colonial legacy and the true cost of war. Things get particularly messy when the occupation is over, colonial occupation giving way to corruption and petty gangsterism on the streets of Bissau, issues that have plagued the country until this day.
Independence, it seems, is just the start. " ~ ACID Cannes 2023
Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.
“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.
Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles
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ABOUT DIRECTOR CHRISTIAN LARA
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Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.
"Ludi," directed by Edson Jean, is a compelling exploration of the Haitian immigrant experience set in the vibrant community of Little Haiti in Miami. The film follows the resilient protagonist, Ludi, portrayed by the talented Shein Mompremier, as she grapples with the challenges of forging a new life in America. In the pursuit of the elusive American dream, Ludi confronts the harsh realities of the immigrant experience.
Edson Jean's directorial finesse captures the nuances of cultural identity, economic struggle, and the indomitable spirit that propels individuals to persevere against adversity. The film not only sheds light on the immigrant narrative but also serves as a poignant reflection on the strength and resilience of those who dare to seek a better life in a new land. "Ludi" stands as a significant contribution to the cinematic exploration of diasporic experiences within the Afro-Caribbean context.
Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles
"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist
"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat
"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider
As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.
As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.
22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.
As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.
It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.
By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.
“It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety
“In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF
“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety
“The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa
“One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict
ABOUT THE MAKING OF THE FILM
“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.” ~ Alisa Simon, Variety
WATCH AS FAR AS I CAN WALK IN THEATRES
| THEATRE | CITY/STATE | OPENS |
| IFC Center | New York, NY | June 30, 2023 |
Films by region
Double dvds
MAMA AFRICA: MIRIAM MAKEBA
DIRECTED BY MIKA KAURISMÄKI
SOUTH AFRICA AND GERMANY / 2011 / ENGLISH / 90 MIN
SYNOPSIS
Mama Africa: Miriam Makeba focuses on the life and influence of the South African singer and civil rights activist, Miriam Makeba. The film's segment concerning her time in the USA is particularly significant, as it showcases her impact on the Civil Rights Movement and her artistic collaborations in the country.
During her time in the United States, Makeba's music and activism became deeply intertwined with the African-American experience. Her marriage to Stokely Carmichael, a prominent figure in the Black Panther Party, marked a crucial period where her artistry and advocacy for African rights gained prominence, but also led to controversy and eventual exile from the USA. The documentary explores how Makeba used her voice not only to enchant American audiences with her music but also to raise awareness about the struggles against apartheid in South Africa, making her a vital cultural and political link between Africa and the African-American community.
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DIRECTOR AND CAST
Director: Mika Kaurismäki
Starring: Hugh Masekela
Starring: Angélique Kidjo
Starring: Harry Belafonte
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GENRES
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BONUS FILM
ACES
DIRECTED BY NTANDAZO "DIDI" GCINGCA
SOUTH AFRICA / 1999 / ENGLISH / 17 MIN
SYNOPSIS
Aces is the story of a young man who fights against the battering of his mother by his drunken father. The situation escalates until Ace desperately stabs his father to death, and is sent to jail for a period of 15 years. Nine years later he is out on parole. He kills again within a day's time of his release.
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DIRECTOR AND CAST
Director: Ntandazo "Didi" Gcingca
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GENRE
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GREAT AFRICAN FILMS, VOLUME 2: Tasuma / Sia, the Dream of the Python - The second installment in this series of award-winning films from Africa includes Kollo Sanou's Tasuma, the Fighter (2003, 90 minutes, French and Jula with English subtitles), a look at the impact of French colonialism on Africa; Former Senegalese tirailleurs, Burkinabe soldier Sogo Sanou waits patiently for his pension, which he plans to use to build a grain mill for the women of his village; Inspired by the seventh-century myth of the Wagadu people of Western Africa is Dani Kouyate's Sia, the Dream of the Python (2001, 96 minutes, Bambara with English subtitles): To bring back prosperity to his village, a King decides to make a human sacrifice to the mystical snake god; Sia, the most beautiful woman in the village, is chosen for the ritual, but she runs away in revolt. - 186 minutes.
TASUMA, THE FIGHTER
Sogo Sanou, a.k.a. Tasuma, is a former French soldier, a part of the African troops better known as “tiralleurs senegalais” who fought in the French wars in Europe and its colonial territories. He was a soldier in the wars of Indochina and Algeria. Although an honored veteran, Tasuma spends decades painfully waiting for his small pension, an amount that in his native Burkina Faso represents a fortune, even though it will equal only a small fraction of the amount paid to his French counterparts.
In a scene that takes us back to another African classic, The Money Order by Ousmane Sembene, Tasuma impulsively buys a treadmill for the women in his village with the money represented by his future pension payment, although he doesn’t know exactly when it will come through.
The money does not arrive, and our hero is in trouble and out of patience. With his old rifle he walks into the pension plan administrator’s office and demands his money. He ends up in jail, and it is up to the women from the village to come down to the city to free Tasuma. Tasuma the Fighter, is a portrait of a bureaucratic adventure that, even 60 years after World War II and 44 years after the independence movement in Africa, is not yet resolved.
As Kollo Daniel Sanou, the director of Tasuma, points out: “The story of Tasuma is also the narration of a historic mismatch, that of the particular status of those former combatants of the African troupes in the French Army.”
|Burkina Faso|2003| 90min | comedy in French/Moore with English subtitles | Daniel Kollo Sanou, Dir. |
Winner Bronze Yennenga Stallion, FESPACO 2005
"Tasuma camouflages its razor-sharp indignation with warmth and disarming grace" ~ VILLAGE VOICE
"Director and writer Kollo Daniel Sanou is in a becalmed, idyllic state of mind, as he leans back and lets this mildly satiric parable unfold." ~ THE NEW YORK TIMES
SIA: THE DREAM OF THE PYTHON
Kombi is a poverty-stricken city dominated by a tyrant king. In order to bring back prosperity, the king is advised by his priests to make the traditional human sacrifice of a young virgin to a mystical snake god. Sia, the most beautiful young woman of the village, has been designated. Lieutenant Mamadi, her fiancé, rebels against the decision to perform this ritual, and the village becomes divided. Struggles and revelations follow as the characters confront issues of honor, corruption and power.
| Burkina Faso/France |2001 | 96min |Epic Drama in Bambara with English subtitles |Dani Kouyaté, Dir. |
Winner “Special Prize of the Jury” FESPACO 2001 - Official Selection Cannes 2001.
“A delightful, pointed fable of religious and political extremism that's extra-relevant at present” ~ Dennis Harvey - VARIETY
"Delivers a powerful commentary on how governments lie, no matter who runs them" NEW YORK POST
AFRICAN MOTHERS
Two films that explore the commitment of motherhood by looking at the life of two African women, in "Seasons of Life," a housemaid, who is sexually abused is forced to give up her child but comes back for him years later, in "Joy" A Nigerian mother living in the USA struggles to convince her traditionalist husband not to circumcise their ten-year-old daughter.
SEASONS OF A LIFE
A housemaid, who is sexually abused by her boss and made pregnant, is forced to give up her son in order to go on with her education. Six years later she comes back to claim her son. From Malawi comes this moving story about sexual abuse, women rights and the legal justice system in Malawi. This film tackles universal themes in an African setting giving an understanding of some of the modernization and democratization processes in Africa.
Directed by C. Shemu Joyah, Malawi, 2008, 102 min, Fiction in English.
JOY
A Nigerian mother living in the USA struggles to convince her traditionalist husband not to circumcise their ten-year-old daughter. This short film explores the clash of cultures in a modern society.
Directed by Solomon Onita Jr., USA, 2017, 15 min, Short Fiction in English.
OTOMO
A powerful film portraying institutionalized racism and police brutality, Otomo provides a convincing look at the everyday world of refugees, who are continuously surrounded by tension and insecurity.
In the summer of 1989, a Stuttgart newspaper reported the true story of a West African asylum seeker who physically assaulted an intolerant subway ticket-taker; fled, and became the target of a city-wide manhunt. Otomo is a sober, fictionalized reconstruction of a tale that shocked Stuttgart, and a gripping portrait of how institutionalized racism drives a disempowered individual to violence and inhumanity.
West African immigrant Frederic Otomo (Isaach de Bankole) lacks the proper papers to be hired for the most menial of jobs; he has survived for eight years with the help of a Catholic charity. Otomo is the target of verbal abuse, is thrown out of his boarding house, and even scorned by neighborhood dogs. He feels and looks out of place. A stoic bubbling pot of wrath on the run, de Bankole's performance establishes Otomo's essence without words-language cannot express the gravity of his situation. As a ticking soundtrack counts down his fated minutes, Otomo is helped by a kind, aging hippie and her granddaughter, establishing the potential for an inclusive German society….if it is not too late...
|Germany|1999|84 mins|drama|German with English subtitles|Frieder Schlaich, dir.|
"I was impressed by the decision to make Otomo a bit of an anti-hero, seeming aware that in desperate times, good people may say or do things outside the norm." -- Greg Dean Schmitz, Greg's previews at Yahoo!Movies
"Documents the institutionalized racism and xenophobia that painted one man into a corner, while never excusing the terrible means by which he took his final escape." -- Jessica Winter, Village Voice
"Much of the sense of size in this account of an immigrant worker, who is only one among many thousands in Germany, comes from the performance by Isaach de Bankole." -- Stanley Kauffmann, New Republic
WAALO FENDO: WHERE THE EARTH FREEZES
Senegal / Switzerland, 1998, 65 mins, drama in Wolof and Italian with English subtitles, Mohammed Soudani, dir.
Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy. It is a story of immigration like so many others but that most people are unaware of. Waalo Fendo illustrates the dehumanization faced by so many immigrants all over the world.
